“Lifelessness. . . is only a disguise”: living things and memories in Theatre de Complicite’sThe Street of Crocodiles
In recent years the Theatre de Complicite has become internationally famous for its exploration of the expressive powers of bodies and things on stage. This study focuses on the constant metamorphosis of things in a devised piece adapted from Bruno Schulz’s stories, The Street of Crocodiles (1992)....
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ebc, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Études britanniques contemporaines
2019
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |