“This isn’t tat. This isn’t bric-a-brac” (Phaedra’s Love): the Poetics of Things in Sarah Kane’s Theatre
The evolution of Sarah Kane’s work has frequently been considered as Janus-faced. The first plays are often classed as examples of the “In-Yer-Face theatre”, a theatre which shocks through strong language and violent images while the last two plays, Crave and 4.48 Psychosis, tend towards abstraction...
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| Argitaratua izan da: | URI:https://journals.openedition.org/ebc, |
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| Egile nagusia: | |
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Anglais |
| Argitaratua: |
Études britanniques contemporaines
2019
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |