Sam Halliday, Sonic Modernity: Representing Sound in Literature, Culture and the Arts
Sam Halliday’s dashingly titled Sonic Modernity starts off with some big questions: ‘What is “modern” about sound, and what is the significance of sound for modernism? How is sound represented in literature, and the other arts?’ (1). Ambitious? Perhaps, but there is nothing wrong with ambition if o...
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| Gepubliceerd in: | URI:https://journals.openedition.org/ebc, |
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| Hoofdauteur: | |
| Formaat: | Article ou chapitre numérique |
| Taal: | Anglais |
| Gepubliceerd in: |
Études britanniques contemporaines
2015
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| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:ebc_2322 |
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openedition |
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openedition-oai:revues.org:ebc_2322 https://doi.org/10.4000/ebc.2322 urn:doi:10.4000/ebc.2322 en https://journals.openedition.org/ebc/2322 2015-06-01T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/fee5 https://creativecommons.org/licenses/by-nc-nd/4.0/ Sam Halliday, Sonic Modernity: Representing Sound in Literature, Culture and the Arts Sam Halliday’s dashingly titled Sonic Modernity starts off with some big questions: ‘What is “modern” about sound, and what is the significance of sound for modernism? How is sound represented in literature, and the other arts?’ (1). Ambitious? Perhaps, but there is nothing wrong with ambition if one gets what on sets out for. Yet, the first thing the reader does not quite get is the kind of subtle distinction Halliday is sketching between ‘modernity’ and ‘modernism’. That ‘sound in modernis... Études britanniques contemporaines Presses universitaires de la Méditerranée info:eu-repo/semantics/reference/issn/2271-5444 info:eu-repo/semantics/reference/issn/1168-4917 URI:https://journals.openedition.org/ebc Vericat, Fabio L. |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Sam Halliday’s dashingly titled Sonic Modernity starts off with some big questions: ‘What is “modern” about sound, and what is the significance of sound for modernism? How is sound represented in literature, and the other arts?’ (1). Ambitious? Perhaps, but there is nothing wrong with ambition if one gets what on sets out for. Yet, the first thing the reader does not quite get is the kind of subtle distinction Halliday is sketching between ‘modernity’ and ‘modernism’. That ‘sound in modernis... |
| author |
Vericat, Fabio L. |
| spellingShingle |
Vericat, Fabio L. Sam Halliday, Sonic Modernity: Representing Sound in Literature, Culture and the Arts |
| author_facet |
Vericat, Fabio L. |
| author_sort |
Vericat, Fabio L. |
| title |
Sam Halliday, Sonic Modernity: Representing Sound in Literature, Culture and the Arts |
| title_short |
Sam Halliday, Sonic Modernity: Representing Sound in Literature, Culture and the Arts |
| title_full |
Sam Halliday, Sonic Modernity: Representing Sound in Literature, Culture and the Arts |
| title_fullStr |
Sam Halliday, Sonic Modernity: Representing Sound in Literature, Culture and the Arts |
| title_full_unstemmed |
Sam Halliday, Sonic Modernity: Representing Sound in Literature, Culture and the Arts |
| title_sort |
sam halliday, sonic modernity: representing sound in literature, culture and the arts |
| publisher |
Études britanniques contemporaines |
| publishDate |
2015 |
| container_title |
URI:https://journals.openedition.org/ebc |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ebc.2322 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ebc/2322 |
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