Nostalgia and Modernism: Sassoon’s Path[ology] back to the Present

This paper opens up English poet Siegfried Sassoon’s nostalgia by considering it in pathological terms, that is, by seeing it in relation to both Johannes Hofer’s aetiological coinage (nostos, return to one’s native land; algos, pain or distress) and the war neurosis which developed from his experie...

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Publicado no:URI:https://journals.openedition.org/ebc,
Autor principal: Hemmings, Robert
Formato: Article ou chapitre numérique
Idioma:Anglais
Publicado em: Études britanniques contemporaines 2025
Acesso em linha:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:ebc_16615 https://doi.org/10.4000/14iou urn:doi:10.4000/14iou en https://journals.openedition.org/ebc/16615 2025-08-27T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/14iou https://creativecommons.org/licenses/by-nc-nd/4.0/ Nostalgia and Modernism: Sassoon’s Path[ology] back to the Present Études britanniques contemporaines Presses universitaires de la Méditerranée info:eu-repo/semantics/reference/issn/2271-5444 info:eu-repo/semantics/reference/issn/1168-4917 URI:https://journals.openedition.org/ebc Hemmings, Robert This paper opens up English poet Siegfried Sassoon’s nostalgia by considering it in pathological terms, that is, by seeing it in relation to both Johannes Hofer’s aetiological coinage (nostos, return to one’s native land; algos, pain or distress) and the war neurosis which developed from his experiences on the Western Front. Focusing on his portrayal of childhood and quasi-epiphanic moments in his autobiographical volumes, The Old Century (1938) and The Weald of Youth (1942), and several poems of this period, I situate his nostalgia in the context of Stephen Spender’s discussion of the nostalgic qualities of both Victorian aesthetics and high modernism, arguing that Sassoon’s accentuated moments of childhood embed his writing in the modernist tradition he strove to escape.
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language Anglais
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description This paper opens up English poet Siegfried Sassoon’s nostalgia by considering it in pathological terms, that is, by seeing it in relation to both Johannes Hofer’s aetiological coinage (nostos, return to one’s native land; algos, pain or distress) and the war neurosis which developed from his experiences on the Western Front. Focusing on his portrayal of childhood and quasi-epiphanic moments in his autobiographical volumes, The Old Century (1938) and The Weald of Youth (1942), and several poems of this period, I situate his nostalgia in the context of Stephen Spender’s discussion of the nostalgic qualities of both Victorian aesthetics and high modernism, arguing that Sassoon’s accentuated moments of childhood embed his writing in the modernist tradition he strove to escape.
author Hemmings, Robert
spellingShingle Hemmings, Robert
Nostalgia and Modernism: Sassoon’s Path[ology] back to the Present
author_facet Hemmings, Robert
author_sort Hemmings, Robert
title Nostalgia and Modernism: Sassoon’s Path[ology] back to the Present
title_short Nostalgia and Modernism: Sassoon’s Path[ology] back to the Present
title_full Nostalgia and Modernism: Sassoon’s Path[ology] back to the Present
title_fullStr Nostalgia and Modernism: Sassoon’s Path[ology] back to the Present
title_full_unstemmed Nostalgia and Modernism: Sassoon’s Path[ology] back to the Present
title_sort nostalgia and modernism: sassoon’s path[ology] back to the present
publisher Études britanniques contemporaines
publishDate 2025
container_title URI:https://journals.openedition.org/ebc
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/14iou
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ebc/16615
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