Mervyn Peake’s Gormenghast Novels: a Baroque Hostility to Straight Lines
Can Peake’s Gormenghast novels be termed baroque? This paper suggests the beginnings of an answer by examining one aspect which is usually considered a distinguishing feature of baroque art, namely, its marked preference for curves, broken lines, spirals or arabesques over straight lines. Peake’s ba...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/ebc, |
|---|---|
| Autore principale: | Mantrant, Sophie |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Études britanniques contemporaines
2024
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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