How to Paint Destruction
Vardges Sureniants’ Trampled Sanctuary is among his most celebrated works of the 1890s. As a contemporary representation of the Hamidian Massacres, the painting draws attention to the fate of material objects, and to acts of desecration and material destruction. Inspired by Sureniants’engagement wit...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/eac, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Études arméniennes contemporaines
2026
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |