‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance
To pursue the theme of soundscape (to use Murray Schafer’s term) in George Eliot’s Janet’s Repentance, this paper will successively address more specific topics: the forms of sound representations, the sound as an articulation of the social, the affinity of sound and sympathetic resonance. It will a...
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| Pubblicato in: | URI:https://journals.openedition.org/cve, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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Cahiers victoriens et édouardiens
2021
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |