« Culture for the million, or society as it may be »
When in the late nineteenth century Aestheticism slowly lost ground to the Arts and Crafts Movement and then to Decadence and Art Nouveau, the Victorian artistic field had considerably evolved. Freed from the moral task traditionally assigned to it, English art now claimed its autonomy — « All art i...
保存先:
| 出版年: | URI:https://journals.openedition.org/cve, |
|---|---|
| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
| 出版事項: |
Cahiers victoriens et édouardiens
2017
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |