Introduction
Oscar Wilde is a well-known figure of our contemporary world, although he seems to be remembered at least equally, if not more, for the life he led, and the infamous trial which sent him to prison, as for his literary works. It is obviously almost impossible to study his writings without linking th...
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| Wydane w: | URI:https://journals.openedition.org/cve, |
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| Format: | Article ou chapitre numérique |
| Język: | Anglais |
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Cahiers victoriens et édouardiens
2016
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| Dostęp online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:cve_2713 |
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openedition-oai:revues.org:cve_2713 https://doi.org/10.4000/cve.2713 urn:doi:10.4000/cve.2713 en https://journals.openedition.org/cve/2713 2016-10-20T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/f018 https://creativecommons.org/licenses/by-nc-nd/4.0/ Introduction Oscar Wilde is a well-known figure of our contemporary world, although he seems to be remembered at least equally, if not more, for the life he led, and the infamous trial which sent him to prison, as for his literary works. It is obviously almost impossible to study his writings without linking them to the character he embodied in real life as, according to one of his most famous aphorisms, “Life imitates Art far more than Art imitates Life,” and critics have thus traced the paradoxes of Lo... Cahiers victoriens et édouardiens Presses universitaires de la Méditerranée info:eu-repo/semantics/reference/issn/2271-6149 info:eu-repo/semantics/reference/issn/0220-5610 URI:https://journals.openedition.org/cve Drugeon, Marianne |
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OpenEdition Journal |
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Anglais |
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Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Oscar Wilde is a well-known figure of our contemporary world, although he seems to be remembered at least equally, if not more, for the life he led, and the infamous trial which sent him to prison, as for his literary works. It is obviously almost impossible to study his writings without linking them to the character he embodied in real life as, according to one of his most famous aphorisms, “Life imitates Art far more than Art imitates Life,” and critics have thus traced the paradoxes of Lo... |
| author |
Drugeon, Marianne |
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Drugeon, Marianne Introduction |
| author_facet |
Drugeon, Marianne |
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Drugeon, Marianne |
| title |
Introduction |
| title_short |
Introduction |
| title_full |
Introduction |
| title_fullStr |
Introduction |
| title_full_unstemmed |
Introduction |
| title_sort |
introduction |
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Cahiers victoriens et édouardiens |
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2016 |
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URI:https://journals.openedition.org/cve |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/cve.2713 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/cve/2713 |
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