Walter Pater et le paradoxe de l’idéal grec incarné par la sculpture
Walter Pater, from his essay « Winckelmann » (1867) onwards, asserted that Greece was the quintessence of culture (echoing here Matthew Arnold’s theories) as well as a model to be imitated. Pater, who was strongly influenced by the aesthetic writings of Hegel and Winckelmann, considered that the Gre...
Sábháilte in:
| Foilsithe in: | URI:https://journals.openedition.org/cve, |
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| Príomhchruthaitheoir: | |
| Formáid: | Article ou chapitre numérique |
| Teanga: | Français |
| Foilsithe / Cruthaithe: |
Cahiers victoriens et édouardiens
2025
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| Rochtain ar líne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |