From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy
Many members of Bloomsbury travelled to Italy between the 1890s and the 1930s. This paper analyses Roger Fry’s, E. M. Forster’s and Virginia Woolf’s reception of Italy as a way of tracing significant changes in the social function of visual art that marked the beginnings of mass tourism and, at the...
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| Pubblicato in: | URI:https://journals.openedition.org/cve, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Cahiers victoriens et édouardiens
2024
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:cve_13613 |
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openedition |
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openedition-oai:revues.org:cve_13613 https://doi.org/10.4000/cve.13613 urn:doi:10.4000/cve.13613 en https://journals.openedition.org/cve/13613 2024-03-18T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/w1in https://creativecommons.org/licenses/by-nc-nd/4.0/ From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy Cahiers victoriens et édouardiens Presses universitaires de la Méditerranée info:eu-repo/semantics/reference/issn/2271-6149 info:eu-repo/semantics/reference/issn/0220-5610 URI:https://journals.openedition.org/cve Gualtieri, Elena Many members of Bloomsbury travelled to Italy between the 1890s and the 1930s. This paper analyses Roger Fry’s, E. M. Forster’s and Virginia Woolf’s reception of Italy as a way of tracing significant changes in the social function of visual art that marked the beginnings of mass tourism and, at the same time, the emergence of the new relationship between art and politics on which Fascism was built. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Many members of Bloomsbury travelled to Italy between the 1890s and the 1930s. This paper analyses Roger Fry’s, E. M. Forster’s and Virginia Woolf’s reception of Italy as a way of tracing significant changes in the social function of visual art that marked the beginnings of mass tourism and, at the same time, the emergence of the new relationship between art and politics on which Fascism was built. |
| author |
Gualtieri, Elena |
| spellingShingle |
Gualtieri, Elena From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| author_facet |
Gualtieri, Elena |
| author_sort |
Gualtieri, Elena |
| title |
From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| title_short |
From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| title_full |
From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| title_fullStr |
From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| title_full_unstemmed |
From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy |
| title_sort |
from a room with a view to the fascist spectacle: bloomsbury in italy |
| publisher |
Cahiers victoriens et édouardiens |
| publishDate |
2024 |
| container_title |
URI:https://journals.openedition.org/cve |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/cve.13613 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/cve/13613 |
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