Bloomsbury and the Cinema: Practice and Theory of a New Form of Expression
Just as Bloomsbury introduced post-impressionism in Great Britain, the cinema was beginning to emerge as a new art, introducing new visual vocabularies and perceptions. Our aim is to analyse Bloomsbury’s ethics and aesthetics in relation with the new issues raised by the technology of the moving pic...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/cve, |
|---|---|
| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Cahiers victoriens et édouardiens
2024
|
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |