The Mestiço in the “Urgency of Existence”. Essa Dama Bate Bué! (2018), by Yara Monteiro
In today’s Lusophone cultural panorama (2010–2020), several artists of the generation of postmemory (Hirsch, 2016), heirs of the colonial trauma, have been deconstructing or repairing misconceptions, injustices and inequalities stemming from the colonial system. A group of researchers also fight for...
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| Udgivet i: | URI:https://journals.openedition.org/cs, |
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| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
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Comunicação e sociedade
2022
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| Online adgang: | Accès Université d'Orléans et IFPM |