The Art of Quotation
The Tale of Genji played an important role in the development of renga, a genre in which vocabulary choice is critical to sequence formation. In the earliest phase of renga, poets used chapter titles as a linking device; from the fourteenth century on, they employed Genjikotoba, words or phrases tak...
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| izdano v: | URI:https://journals.openedition.org/cjs, |
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| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
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Cipango - French Journal of Japanese Studies
2015
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| Online dostop: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:cjs_539 |
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openedition |
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openedition-oai:revues.org:cjs_539 https://doi.org/10.4000/cjs.539 urn:doi:10.4000/cjs.539 en https://journals.openedition.org/cjs/539 2015-11-27T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/e1ic https://creativecommons.org/licenses/by-nc/4.0/ The Art of Quotation Cipango - French Journal of Japanese Studies INALCO info:eu-repo/semantics/reference/issn/2268-1744 URI:https://journals.openedition.org/cjs Terada, Sumie littérature japonaise classique Dit du Genji poésie en chaîne poésie prose Renga The Tale of Genji classical Japanese literature renga linked verse poetry prose Genji monogatari 源氏物語 renga 連歌 ga-zoku 雅俗 Genji yoriai 源氏寄合 sanbun to waka 散文と和歌 Nijô Yoshimoto 二条良基 Shinkei心敬 The Tale of Genji played an important role in the development of renga, a genre in which vocabulary choice is critical to sequence formation. In the earliest phase of renga, poets used chapter titles as a linking device; from the fourteenth century on, they employed Genjikotoba, words or phrases taken from the Genji. The use of Genji kotoba in renga also reveals the essentially dynamic nature of this novel: the “Suma” chapter, much admired by poets, juxtaposes refinement (ga) and wildness and makes the hero a focal point for cosmic forces. Furthermore, Genji kotoba bring to light an ordering of the text based on reference to key expressions. Le Roman du Genji a joué un rôle important dans le développement du renga où le choix du vocabulaire est primordial pour former des séquences : apparaissent ainsi dans sa phase naissante comme dispositif d’enchaînement le recours aux titres des livres, puis à partir du XIVe siècle, les termes tirés de ce roman, Genji kotoba. Son emploi dans le renga révèle aussi la nature fondamentalement dynamique de ce roman : le livre « Suma » très apprécié par ses poètes fait côtoyer le raffinement (ga) et le sauvage, et place le héros comme le point de concentration d’une force cosmique. Les Genji kotoba fait ressortir également une organisation textuelle fondée sur le renvoi des expressions clés. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
littérature japonaise classique Dit du Genji poésie en chaîne poésie prose Renga The Tale of Genji classical Japanese literature renga linked verse poetry prose Genji monogatari 源氏物語 renga 連歌 ga-zoku 雅俗 Genji yoriai 源氏寄合 sanbun to waka 散文と和歌 Nijô Yoshimoto 二条良基 Shinkei心敬 |
| spellingShingle |
littérature japonaise classique Dit du Genji poésie en chaîne poésie prose Renga The Tale of Genji classical Japanese literature renga linked verse poetry prose Genji monogatari 源氏物語 renga 連歌 ga-zoku 雅俗 Genji yoriai 源氏寄合 sanbun to waka 散文と和歌 Nijô Yoshimoto 二条良基 Shinkei心敬 Terada, Sumie The Art of Quotation |
| description |
The Tale of Genji played an important role in the development of renga, a genre in which vocabulary choice is critical to sequence formation. In the earliest phase of renga, poets used chapter titles as a linking device; from the fourteenth century on, they employed Genjikotoba, words or phrases taken from the Genji. The use of Genji kotoba in renga also reveals the essentially dynamic nature of this novel: the “Suma” chapter, much admired by poets, juxtaposes refinement (ga) and wildness and makes the hero a focal point for cosmic forces. Furthermore, Genji kotoba bring to light an ordering of the text based on reference to key expressions. |
| author |
Terada, Sumie |
| author_facet |
Terada, Sumie |
| author_sort |
Terada, Sumie |
| title |
The Art of Quotation |
| title_short |
The Art of Quotation |
| title_full |
The Art of Quotation |
| title_fullStr |
The Art of Quotation |
| title_full_unstemmed |
The Art of Quotation |
| title_sort |
art of quotation |
| publisher |
Cipango - French Journal of Japanese Studies |
| publishDate |
2015 |
| container_title |
URI:https://journals.openedition.org/cjs |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/cjs.539 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/cjs/539 |
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1877242752793575424 |