The rise of criticism (1886-1889)
The rapid development of Japanese press during the twenty first years of the Meji era led to the appearance of a new type of writings: book reviews and criticism. This article tries to explain the sudden appearance between 1886 and 1889 of an interpretive discourse in Japan. It argues that the rise...
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| Gepubliceerd in: | URI:https://journals.openedition.org/cjs, |
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| Formaat: | Article ou chapitre numérique |
| Taal: | Anglais |
| Gepubliceerd in: |
Cipango - French Journal of Japanese Studies
2013
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| Onderwerpen: | |
| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:cjs_289 |
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openedition |
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openedition-oai:revues.org:cjs_289 https://doi.org/10.4000/cjs.289 urn:doi:10.4000/cjs.289 en https://journals.openedition.org/cjs/289 2013-06-25T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/e1i1 https://creativecommons.org/licenses/by-nc/4.0/ The rise of criticism (1886-1889) Cipango - French Journal of Japanese Studies INALCO info:eu-repo/semantics/reference/issn/2268-1744 URI:https://journals.openedition.org/cjs Lozerand, Emmanuel Japon moderne littérature moderne histoire de la presse Kokumin no tomo Tokutomi Sohō (1853-1957) Takada Hanpō (1860-1938) Ōnishi Hajime (1864-1900) Mori Ōgai (1862-1922) Meiji era modern literature press history literary criticism Kokumin no tomo modern Japan Tokutomi Sohō (1863-1957) Takada Hanpō (1860-1938) Ōnishi Hajime (1864-1900) Mori Ōgai (1862-1922) The rapid development of Japanese press during the twenty first years of the Meji era led to the appearance of a new type of writings: book reviews and criticism. This article tries to explain the sudden appearance between 1886 and 1889 of an interpretive discourse in Japan. It argues that the rise of criticism is no accident, but rather the consequence and embodiment of other changes, implemented with varying speed and at different moments, but which converged during this period to give rise to the founding texts of Tokutomi Sohō, Takada Hanpō, Ōnishi Hajime and Mori Ōgai. Le développement rapide de la presse japonaise durant les vingt premières années de l’ère Meiji entraîna l’apparition d’un nouveau type d’écrits : le compte rendu d’ouvrage et la critique. Cet article tente d’expliquer la soudaine apparition d’un discours interprétatif entre 1886 et 1889 au Japon. Il explique que l’avènement de la critique n’est pas un accident, mais plutôt la conséquence et l’incarnation d’autres mutations effectuées à des rythmes différents depuis des moments différents, mais qui convergent en ces quelques années pour donner naissance aux textes fondateurs de Tokutomi Sohō, Takada Hanpō, Ōnishi Hajime et Mori Ōgai. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
Japon moderne littérature moderne histoire de la presse Kokumin no tomo Tokutomi Sohō (1853-1957) Takada Hanpō (1860-1938) Ōnishi Hajime (1864-1900) Mori Ōgai (1862-1922) Meiji era modern literature press history literary criticism Kokumin no tomo modern Japan Tokutomi Sohō (1863-1957) Takada Hanpō (1860-1938) Ōnishi Hajime (1864-1900) Mori Ōgai (1862-1922) |
| spellingShingle |
Japon moderne littérature moderne histoire de la presse Kokumin no tomo Tokutomi Sohō (1853-1957) Takada Hanpō (1860-1938) Ōnishi Hajime (1864-1900) Mori Ōgai (1862-1922) Meiji era modern literature press history literary criticism Kokumin no tomo modern Japan Tokutomi Sohō (1863-1957) Takada Hanpō (1860-1938) Ōnishi Hajime (1864-1900) Mori Ōgai (1862-1922) Lozerand, Emmanuel The rise of criticism (1886-1889) |
| description |
The rapid development of Japanese press during the twenty first years of the Meji era led to the appearance of a new type of writings: book reviews and criticism. This article tries to explain the sudden appearance between 1886 and 1889 of an interpretive discourse in Japan. It argues that the rise of criticism is no accident, but rather the consequence and embodiment of other changes, implemented with varying speed and at different moments, but which converged during this period to give rise to the founding texts of Tokutomi Sohō, Takada Hanpō, Ōnishi Hajime and Mori Ōgai. |
| author |
Lozerand, Emmanuel |
| author_facet |
Lozerand, Emmanuel |
| author_sort |
Lozerand, Emmanuel |
| title |
The rise of criticism (1886-1889) |
| title_short |
The rise of criticism (1886-1889) |
| title_full |
The rise of criticism (1886-1889) |
| title_fullStr |
The rise of criticism (1886-1889) |
| title_full_unstemmed |
The rise of criticism (1886-1889) |
| title_sort |
rise of criticism (1886-1889) |
| publisher |
Cipango - French Journal of Japanese Studies |
| publishDate |
2013 |
| container_title |
URI:https://journals.openedition.org/cjs |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/cjs.289 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/cjs/289 |
| _version_ |
1877243537537368064 |