The rise of criticism (1886-1889)

The rapid development of Japanese press during the twenty first years of the Meji era led to the appearance of a new type of writings: book reviews and criticism. This article tries to explain the sudden appearance between 1886 and 1889 of an interpretive discourse in Japan. It argues that the rise...

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Gepubliceerd in:URI:https://journals.openedition.org/cjs,
Hoofdauteur: Lozerand, Emmanuel
Formaat: Article ou chapitre numérique
Taal:Anglais
Gepubliceerd in: Cipango - French Journal of Japanese Studies 2013
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Online toegang:Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:cjs_289 https://doi.org/10.4000/cjs.289 urn:doi:10.4000/cjs.289 en https://journals.openedition.org/cjs/289 2013-06-25T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/e1i1 https://creativecommons.org/licenses/by-nc/4.0/ The rise of criticism (1886-1889) Cipango - French Journal of Japanese Studies INALCO info:eu-repo/semantics/reference/issn/2268-1744 URI:https://journals.openedition.org/cjs Lozerand, Emmanuel Japon moderne littérature moderne histoire de la presse Kokumin no tomo Tokutomi Sohō (1853-1957) Takada Hanpō (1860-1938) Ōnishi Hajime (1864-1900) Mori Ōgai (1862-1922) Meiji era modern literature press history literary criticism Kokumin no tomo modern Japan Tokutomi Sohō (1863-1957) Takada Hanpō (1860-1938) Ōnishi Hajime (1864-1900) Mori Ōgai (1862-1922) The rapid development of Japanese press during the twenty first years of the Meji era led to the appearance of a new type of writings: book reviews and criticism. This article tries to explain the sudden appearance between 1886 and 1889 of an interpretive discourse in Japan. It argues that the rise of criticism is no accident, but rather the consequence and embodiment of other changes, implemented with varying speed and at different moments, but which converged during this period to give rise to the founding texts of Tokutomi Sohō, Takada Hanpō, Ōnishi Hajime and Mori Ōgai. Le développement rapide de la presse japonaise durant les vingt premières années de l’ère Meiji entraîna l’apparition d’un nouveau type d’écrits : le compte rendu d’ouvrage et la critique. Cet article tente d’expliquer la soudaine apparition d’un discours interprétatif entre 1886 et 1889 au Japon. Il explique que l’avènement de la critique n’est pas un accident, mais plutôt la conséquence et l’incarnation d’autres mutations effectuées à des rythmes différents depuis des moments différents, mais qui convergent en ces quelques années pour donner naissance aux textes fondateurs de Tokutomi Sohō, Takada Hanpō, Ōnishi Hajime et Mori Ōgai.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic Japon moderne
littérature moderne
histoire de la presse
Kokumin no tomo
Tokutomi Sohō (1853-1957)
Takada Hanpō (1860-1938)
Ōnishi Hajime (1864-1900)
Mori Ōgai (1862-1922)
Meiji era
modern literature
press history
literary criticism
Kokumin no tomo
modern Japan
Tokutomi Sohō (1863-1957)
Takada Hanpō (1860-1938)
Ōnishi Hajime (1864-1900)
Mori Ōgai (1862-1922)
spellingShingle Japon moderne
littérature moderne
histoire de la presse
Kokumin no tomo
Tokutomi Sohō (1853-1957)
Takada Hanpō (1860-1938)
Ōnishi Hajime (1864-1900)
Mori Ōgai (1862-1922)
Meiji era
modern literature
press history
literary criticism
Kokumin no tomo
modern Japan
Tokutomi Sohō (1863-1957)
Takada Hanpō (1860-1938)
Ōnishi Hajime (1864-1900)
Mori Ōgai (1862-1922)
Lozerand, Emmanuel
The rise of criticism (1886-1889)
description The rapid development of Japanese press during the twenty first years of the Meji era led to the appearance of a new type of writings: book reviews and criticism. This article tries to explain the sudden appearance between 1886 and 1889 of an interpretive discourse in Japan. It argues that the rise of criticism is no accident, but rather the consequence and embodiment of other changes, implemented with varying speed and at different moments, but which converged during this period to give rise to the founding texts of Tokutomi Sohō, Takada Hanpō, Ōnishi Hajime and Mori Ōgai.
author Lozerand, Emmanuel
author_facet Lozerand, Emmanuel
author_sort Lozerand, Emmanuel
title The rise of criticism (1886-1889)
title_short The rise of criticism (1886-1889)
title_full The rise of criticism (1886-1889)
title_fullStr The rise of criticism (1886-1889)
title_full_unstemmed The rise of criticism (1886-1889)
title_sort rise of criticism (1886-1889)
publisher Cipango - French Journal of Japanese Studies
publishDate 2013
container_title URI:https://journals.openedition.org/cjs
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/cjs.289
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/cjs/289
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