Hearing Voices in George Lamming’s The Pleasures of Exile and Sam Selvon’s The Lonely Londoners

This essay examines the problematic status of voice in essays and fiction written by postcolonial writers. In the light of Mladen Dolar’s study of the ambiguous nature of voice as “the vanishing mediator” between sound and sense, we look at the way in which Lamming’s essays attempt to come to terms...

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Hovedforfatter: Birat, Kathie
Format: Article ou chapitre numérique
Sprog:Anglais
Udgivet: Commonwealth Essays and Studies 2022
Online adgang:Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:ces_8570 https://doi.org/10.4000/ces.8570 urn:doi:10.4000/ces.8570 en https://journals.openedition.org/ces/8570 2022-02-15T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/dt1n https://creativecommons.org/licenses/by-nc-nd/4.0/ Hearing Voices in George Lamming’s The Pleasures of Exile and Sam Selvon’s The Lonely Londoners Commonwealth Essays and Studies SEPC (Société d’études des pays du Commonwealth) info:eu-repo/semantics/reference/issn/2534-6695 info:eu-repo/semantics/reference/issn/2270-0633 URI:https://journals.openedition.org/ces Birat, Kathie This essay examines the problematic status of voice in essays and fiction written by postcolonial writers. In the light of Mladen Dolar’s study of the ambiguous nature of voice as “the vanishing mediator” between sound and sense, we look at the way in which Lamming’s essays attempt to come to terms with the paradoxical relation between sound and meaning. In confronting the silence imposed on the writer by the colonial situation, Lamming reveals the existence of voices which characterize for him the “noises” of the Caribbean, but which he is unable to integrate into the expression of a cultural identity. His companion on the voyage to England, Sam Selvon, demonstrates in his novel The Lonely Londoners that fiction is a medium better adapted to the creation of truly Caribbean voices because of the way in which it allows the sound of the voice to participate actively in the creation of sense.
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language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description This essay examines the problematic status of voice in essays and fiction written by postcolonial writers. In the light of Mladen Dolar’s study of the ambiguous nature of voice as “the vanishing mediator” between sound and sense, we look at the way in which Lamming’s essays attempt to come to terms with the paradoxical relation between sound and meaning. In confronting the silence imposed on the writer by the colonial situation, Lamming reveals the existence of voices which characterize for him the “noises” of the Caribbean, but which he is unable to integrate into the expression of a cultural identity. His companion on the voyage to England, Sam Selvon, demonstrates in his novel The Lonely Londoners that fiction is a medium better adapted to the creation of truly Caribbean voices because of the way in which it allows the sound of the voice to participate actively in the creation of sense.
author Birat, Kathie
spellingShingle Birat, Kathie
Hearing Voices in George Lamming’s The Pleasures of Exile and Sam Selvon’s The Lonely Londoners
author_facet Birat, Kathie
author_sort Birat, Kathie
title Hearing Voices in George Lamming’s The Pleasures of Exile and Sam Selvon’s The Lonely Londoners
title_short Hearing Voices in George Lamming’s The Pleasures of Exile and Sam Selvon’s The Lonely Londoners
title_full Hearing Voices in George Lamming’s The Pleasures of Exile and Sam Selvon’s The Lonely Londoners
title_fullStr Hearing Voices in George Lamming’s The Pleasures of Exile and Sam Selvon’s The Lonely Londoners
title_full_unstemmed Hearing Voices in George Lamming’s The Pleasures of Exile and Sam Selvon’s The Lonely Londoners
title_sort hearing voices in george lamming’s the pleasures of exile and sam selvon’s the lonely londoners
publisher Commonwealth Essays and Studies
publishDate 2022
container_title URI:https://journals.openedition.org/ces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ces.8570
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ces/8570
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