Infinite Revolutions; or, Fred D’Aguiar’s Imaginative Response to Western Metaphysical Perceptions of Time
This article examines Fred D’Aguiar’s poems “The Trench Revisited” and “Vulture’s Theory of Perpetual Return” in light of their “revolutionary” reliance on Guyanese novelist Wilson Harris’ idea of “infinite rehearsal.” Harris’ theory of infinite rehearsal suggests a revisionary take on Nietzsche’s c...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ces, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Commonwealth Essays and Studies
2020
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |