Archetypes of the Artist in Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart

Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart feature two portraits of the artist in transitional societies. Considered misfits, Rip and Unoka survive momentous historical changes thanks to their art. Rip serves as a bridge between colonial America and the age of indepen...

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Главный автор: Njeng, Eric S.
Формат: Article ou chapitre numérique
Язык:Anglais
Опубликовано: Commonwealth Essays and Studies 2021
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spelling openedition-oai:revues.org:ces_5482 https://doi.org/10.4000/ces.5482 urn:doi:10.4000/ces.5482 en https://journals.openedition.org/ces/5482 2021-07-21T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/dt02 https://creativecommons.org/licenses/by-nc-nd/4.0/ Archetypes of the Artist in Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart Commonwealth Essays and Studies SEPC (Société d’études des pays du Commonwealth) info:eu-repo/semantics/reference/issn/2534-6695 info:eu-repo/semantics/reference/issn/2270-0633 URI:https://journals.openedition.org/ces Njeng, Eric S. Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart feature two portraits of the artist in transitional societies. Considered misfits, Rip and Unoka survive momentous historical changes thanks to their art. Rip serves as a bridge between colonial America and the age of independence. Unoka, reincarnated in Nwoye, responds to the vagaries of history and choses to face the challenges posed by the imposition of colonial rule. Irving and Achebe both view the artist as a redeeming mediator capable of assuaging the mercenary character of their societies they live in.
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language Anglais
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description Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart feature two portraits of the artist in transitional societies. Considered misfits, Rip and Unoka survive momentous historical changes thanks to their art. Rip serves as a bridge between colonial America and the age of independence. Unoka, reincarnated in Nwoye, responds to the vagaries of history and choses to face the challenges posed by the imposition of colonial rule. Irving and Achebe both view the artist as a redeeming mediator capable of assuaging the mercenary character of their societies they live in.
author Njeng, Eric S.
spellingShingle Njeng, Eric S.
Archetypes of the Artist in Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart
author_facet Njeng, Eric S.
author_sort Njeng, Eric S.
title Archetypes of the Artist in Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart
title_short Archetypes of the Artist in Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart
title_full Archetypes of the Artist in Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart
title_fullStr Archetypes of the Artist in Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart
title_full_unstemmed Archetypes of the Artist in Washington Irving’s “Rip Van Winkle” and Chinua Achebe’s Things Fall Apart
title_sort archetypes of the artist in washington irving’s “rip van winkle” and chinua achebe’s things fall apart
publisher Commonwealth Essays and Studies
publishDate 2021
container_title URI:https://journals.openedition.org/ces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ces.5482
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