Degrees of Transparency in Brian Castro’s Birds of Passage and After China
This essay intends to highlight how Brian Castro’s Birds of Passage (1983) and After China (1992) waver between transparency and opacity. It explores some of the techniques employed – among which a blurring of categories and a questioning of narratorial reliability – in order to create what Roland B...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/ces, |
|---|---|
| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Commonwealth Essays and Studies
2021
|
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |