Toward a New Nigerian Womanhood: Woman as Nation in Half of a Yellow Sun
In Half of a Yellow Sun, Kainene, Mama, and Olanna define Nigeria’s struggle for nationhood. I argue that Kainene represents the future and Mama, the traditions. As unacceptable extremes, the two are eliminated, leaving Olanna as the allegorical female symbol of nationhood. European-educated Olanna...
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| Pubblicato in: | URI:https://journals.openedition.org/ces, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Commonwealth Essays and Studies
2021
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:ces_5213 |
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openedition |
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openedition-oai:revues.org:ces_5213 https://doi.org/10.4000/ces.5213 urn:doi:10.4000/ces.5213 en https://journals.openedition.org/ces/5213 2021-07-17T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/dsz4 https://creativecommons.org/licenses/by-nc-nd/4.0/ Toward a New Nigerian Womanhood: Woman as Nation in Half of a Yellow Sun Commonwealth Essays and Studies SEPC (Société d’études des pays du Commonwealth) info:eu-repo/semantics/reference/issn/2534-6695 info:eu-repo/semantics/reference/issn/2270-0633 URI:https://journals.openedition.org/ces Rideout, Jennifer In Half of a Yellow Sun, Kainene, Mama, and Olanna define Nigeria’s struggle for nationhood. I argue that Kainene represents the future and Mama, the traditions. As unacceptable extremes, the two are eliminated, leaving Olanna as the allegorical female symbol of nationhood. European-educated Olanna gets caught up in the Civil War, embodying both Kainene’s bravery and Mama’s traditional ways. By the end of the novel, she comes to represent the woman as nation in the new Nigeria. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In Half of a Yellow Sun, Kainene, Mama, and Olanna define Nigeria’s struggle for nationhood. I argue that Kainene represents the future and Mama, the traditions. As unacceptable extremes, the two are eliminated, leaving Olanna as the allegorical female symbol of nationhood. European-educated Olanna gets caught up in the Civil War, embodying both Kainene’s bravery and Mama’s traditional ways. By the end of the novel, she comes to represent the woman as nation in the new Nigeria. |
| author |
Rideout, Jennifer |
| spellingShingle |
Rideout, Jennifer Toward a New Nigerian Womanhood: Woman as Nation in Half of a Yellow Sun |
| author_facet |
Rideout, Jennifer |
| author_sort |
Rideout, Jennifer |
| title |
Toward a New Nigerian Womanhood: Woman as Nation in Half of a Yellow Sun |
| title_short |
Toward a New Nigerian Womanhood: Woman as Nation in Half of a Yellow Sun |
| title_full |
Toward a New Nigerian Womanhood: Woman as Nation in Half of a Yellow Sun |
| title_fullStr |
Toward a New Nigerian Womanhood: Woman as Nation in Half of a Yellow Sun |
| title_full_unstemmed |
Toward a New Nigerian Womanhood: Woman as Nation in Half of a Yellow Sun |
| title_sort |
toward a new nigerian womanhood: woman as nation in half of a yellow sun |
| publisher |
Commonwealth Essays and Studies |
| publishDate |
2021 |
| container_title |
URI:https://journals.openedition.org/ces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ces.5213 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ces/5213 |
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