The Spiritual Liberation of Music, Dance, and Ritual: Verbal vs. Non-Verbal Communication in J. M. Coetzee’s Foe

In exploring the power and diverse means of communication reflected in J. M. Coetzee’s Foe (1986), this article considers the nature, musicality, and limitations of language – both written and oral. It investigates the sway of non-verbal communication, reflected through the spiritually liberating fo...

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Cyhoeddwyd yn:URI:https://journals.openedition.org/ces,
Prif Awdur: Foxcroft, Nigel H.
Fformat: Article ou chapitre numérique
Iaith:Anglais
Cyhoeddwyd: Commonwealth Essays and Studies 2021
Mynediad Ar-lein:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:ces_4943 https://doi.org/10.4000/ces.4943 urn:doi:10.4000/ces.4943 en https://journals.openedition.org/ces/4943 2021-07-08T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/dsy9 https://creativecommons.org/licenses/by-nc-nd/4.0/ The Spiritual Liberation of Music, Dance, and Ritual: Verbal vs. Non-Verbal Communication in J. M. Coetzee’s Foe Commonwealth Essays and Studies SEPC (Société d’études des pays du Commonwealth) info:eu-repo/semantics/reference/issn/2534-6695 info:eu-repo/semantics/reference/issn/2270-0633 URI:https://journals.openedition.org/ces Foxcroft, Nigel H. In exploring the power and diverse means of communication reflected in J. M. Coetzee’s Foe (1986), this article considers the nature, musicality, and limitations of language – both written and oral. It investigates the sway of non-verbal communication, reflected through the spiritually liberating forms of story-making, music, dance, and ritual. Dexterity in Afro-American dances (Capoeira, Candomblé, and Calypso) is contemplated with regard to Foe’s Bahian setting and Friday’s performing abilities.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
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description In exploring the power and diverse means of communication reflected in J. M. Coetzee’s Foe (1986), this article considers the nature, musicality, and limitations of language – both written and oral. It investigates the sway of non-verbal communication, reflected through the spiritually liberating forms of story-making, music, dance, and ritual. Dexterity in Afro-American dances (Capoeira, Candomblé, and Calypso) is contemplated with regard to Foe’s Bahian setting and Friday’s performing abilities.
author Foxcroft, Nigel H.
spellingShingle Foxcroft, Nigel H.
The Spiritual Liberation of Music, Dance, and Ritual: Verbal vs. Non-Verbal Communication in J. M. Coetzee’s Foe
author_facet Foxcroft, Nigel H.
author_sort Foxcroft, Nigel H.
title The Spiritual Liberation of Music, Dance, and Ritual: Verbal vs. Non-Verbal Communication in J. M. Coetzee’s Foe
title_short The Spiritual Liberation of Music, Dance, and Ritual: Verbal vs. Non-Verbal Communication in J. M. Coetzee’s Foe
title_full The Spiritual Liberation of Music, Dance, and Ritual: Verbal vs. Non-Verbal Communication in J. M. Coetzee’s Foe
title_fullStr The Spiritual Liberation of Music, Dance, and Ritual: Verbal vs. Non-Verbal Communication in J. M. Coetzee’s Foe
title_full_unstemmed The Spiritual Liberation of Music, Dance, and Ritual: Verbal vs. Non-Verbal Communication in J. M. Coetzee’s Foe
title_sort spiritual liberation of music, dance, and ritual: verbal vs. non-verbal communication in j. m. coetzee’s foe
publisher Commonwealth Essays and Studies
publishDate 2021
container_title URI:https://journals.openedition.org/ces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ces.4943
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ces/4943
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