Failing to Place Confrontation: The Car as “Void” in Jump

Whereas moments of miscommunication stud the collection Jump, this article proposes to read five such misfiring encounters between whites and non-whites, in “What Were You Dreaming?” “Comrades,” “Keeping Fit,” “The Moment Before the Gun Went Off,” and “Spoils,” through a close examination of the spa...

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Hlavní autor: Wallart, Kerry-Jane
Médium: Article ou chapitre numérique
Jazyk:Anglais
Vydáno: Commonwealth Essays and Studies 2019
On-line přístup:Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:ces_428 https://doi.org/10.4000/ces.428 urn:doi:10.4000/ces.428 en https://journals.openedition.org/ces/428 2019-11-05T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/dsw7 https://creativecommons.org/licenses/by-nc-nd/4.0/ Failing to Place Confrontation: The Car as “Void” in Jump Commonwealth Essays and Studies SEPC (Société d’études des pays du Commonwealth) info:eu-repo/semantics/reference/issn/2534-6695 info:eu-repo/semantics/reference/issn/2270-0633 URI:https://journals.openedition.org/ces Wallart, Kerry-Jane Whereas moments of miscommunication stud the collection Jump, this article proposes to read five such misfiring encounters between whites and non-whites, in “What Were You Dreaming?” “Comrades,” “Keeping Fit,” “The Moment Before the Gun Went Off,” and “Spoils,” through a close examination of the spatial configurations where a confrontation can happen (and fail). In all five short stories the situation of racial inequality is mediated through banal elements: the car, food/drink, and the delivering of a testimony. I will connect these elements to the unresolved opposition cast by Agamben between bios, the political life, and zoe, the biological life. I argue that in these confrontation scenes the “others” are excluded through their very inclusion, but that they are also recognized as a political presence in the privileged site of vehicles functioning in the text as correlatives of what Agamben describes as a “void” in social spaces.
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language Anglais
format Article ou chapitre numérique
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description Whereas moments of miscommunication stud the collection Jump, this article proposes to read five such misfiring encounters between whites and non-whites, in “What Were You Dreaming?” “Comrades,” “Keeping Fit,” “The Moment Before the Gun Went Off,” and “Spoils,” through a close examination of the spatial configurations where a confrontation can happen (and fail). In all five short stories the situation of racial inequality is mediated through banal elements: the car, food/drink, and the delivering of a testimony. I will connect these elements to the unresolved opposition cast by Agamben between bios, the political life, and zoe, the biological life. I argue that in these confrontation scenes the “others” are excluded through their very inclusion, but that they are also recognized as a political presence in the privileged site of vehicles functioning in the text as correlatives of what Agamben describes as a “void” in social spaces.
author Wallart, Kerry-Jane
spellingShingle Wallart, Kerry-Jane
Failing to Place Confrontation: The Car as “Void” in Jump
author_facet Wallart, Kerry-Jane
author_sort Wallart, Kerry-Jane
title Failing to Place Confrontation: The Car as “Void” in Jump
title_short Failing to Place Confrontation: The Car as “Void” in Jump
title_full Failing to Place Confrontation: The Car as “Void” in Jump
title_fullStr Failing to Place Confrontation: The Car as “Void” in Jump
title_full_unstemmed Failing to Place Confrontation: The Car as “Void” in Jump
title_sort failing to place confrontation: the car as “void” in jump
publisher Commonwealth Essays and Studies
publishDate 2019
container_title URI:https://journals.openedition.org/ces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ces.428
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