Nadine Gordimer’s Strangely Uncanny Realistic Stories: The Chaos and the Mystery of It All

This paper purports to study and develop an aspect of Gordimer’s fiction which has often been overlooked. Uncanny elements may be identified all along her career constituting a kind of return of the repressed. Insects, animals, landscapes, unidentified threats and fears loom large in the background...

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מחבר ראשי: Louvel, Liliane
פורמט: Article ou chapitre numérique
שפה:Anglais
יצא לאור: Commonwealth Essays and Studies 2019
גישה מקוונת:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:ces_424 https://doi.org/10.4000/ces.424 urn:doi:10.4000/ces.424 en https://journals.openedition.org/ces/424 2019-11-05T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/dsw5 https://creativecommons.org/licenses/by-nc-nd/4.0/ Nadine Gordimer’s Strangely Uncanny Realistic Stories: The Chaos and the Mystery of It All Commonwealth Essays and Studies SEPC (Société d’études des pays du Commonwealth) info:eu-repo/semantics/reference/issn/2534-6695 info:eu-repo/semantics/reference/issn/2270-0633 URI:https://journals.openedition.org/ces Louvel, Liliane This paper purports to study and develop an aspect of Gordimer’s fiction which has often been overlooked. Uncanny elements may be identified all along her career constituting a kind of return of the repressed. Insects, animals, landscapes, unidentified threats and fears loom large in the background and constitute a menace for the white population most of the time. The black population is confronted with even more direct brutal problems. Thus in an indirect way, an allegorical one in the sense of the etymological “speaking other,” “the situation” under the state of Apartheid is addressed and denounced. Gordimer’s so-called realistic short stories turn out to contain eerie uncanny features. The geography and the history of this African country are called upon to testify to a violent past inscribed on the landscape by mapmakers.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
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description This paper purports to study and develop an aspect of Gordimer’s fiction which has often been overlooked. Uncanny elements may be identified all along her career constituting a kind of return of the repressed. Insects, animals, landscapes, unidentified threats and fears loom large in the background and constitute a menace for the white population most of the time. The black population is confronted with even more direct brutal problems. Thus in an indirect way, an allegorical one in the sense of the etymological “speaking other,” “the situation” under the state of Apartheid is addressed and denounced. Gordimer’s so-called realistic short stories turn out to contain eerie uncanny features. The geography and the history of this African country are called upon to testify to a violent past inscribed on the landscape by mapmakers.
author Louvel, Liliane
spellingShingle Louvel, Liliane
Nadine Gordimer’s Strangely Uncanny Realistic Stories: The Chaos and the Mystery of It All
author_facet Louvel, Liliane
author_sort Louvel, Liliane
title Nadine Gordimer’s Strangely Uncanny Realistic Stories: The Chaos and the Mystery of It All
title_short Nadine Gordimer’s Strangely Uncanny Realistic Stories: The Chaos and the Mystery of It All
title_full Nadine Gordimer’s Strangely Uncanny Realistic Stories: The Chaos and the Mystery of It All
title_fullStr Nadine Gordimer’s Strangely Uncanny Realistic Stories: The Chaos and the Mystery of It All
title_full_unstemmed Nadine Gordimer’s Strangely Uncanny Realistic Stories: The Chaos and the Mystery of It All
title_sort nadine gordimer’s strangely uncanny realistic stories: the chaos and the mystery of it all
publisher Commonwealth Essays and Studies
publishDate 2019
container_title URI:https://journals.openedition.org/ces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ces.424
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ces/424
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