Text and Context: Anglophone Literary Production in Ghana since 1945
The aim of this article is to show to what extent the context of production of West African literature in English, meaning the way literary works are written, published, distributed and read, necessarily calls in question a number of presuppositions concerning the distinction between so-called ‘popu...
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| Udgivet i: | URI:https://journals.openedition.org/ces, |
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| Hovedforfatter: | |
| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
| Udgivet: |
Commonwealth Essays and Studies
2024
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:ces_12349 |
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openedition |
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openedition-oai:revues.org:ces_12349 https://doi.org/10.4000/120tz urn:doi:10.4000/120tz en https://journals.openedition.org/ces/12349 2024-07-15T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/120tz https://creativecommons.org/licenses/by-nc-nd/4.0/ Text and Context: Anglophone Literary Production in Ghana since 1945 Commonwealth Essays and Studies SEPC (Société d’études des pays du Commonwealth) info:eu-repo/semantics/reference/issn/2534-6695 info:eu-repo/semantics/reference/issn/2270-0633 URI:https://journals.openedition.org/ces Whyte, Philip The aim of this article is to show to what extent the context of production of West African literature in English, meaning the way literary works are written, published, distributed and read, necessarily calls in question a number of presuppositions concerning the distinction between so-called ‘popular’ or locally produced writing and the texts of internationally published authors (for example, Ayi Kwei Armah) whose works alone are seen as representative of what passes in the West for ‘African literature’. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The aim of this article is to show to what extent the context of production of West African literature in English, meaning the way literary works are written, published, distributed and read, necessarily calls in question a number of presuppositions concerning the distinction between so-called ‘popular’ or locally produced writing and the texts of internationally published authors (for example, Ayi Kwei Armah) whose works alone are seen as representative of what passes in the West for ‘African literature’. |
| author |
Whyte, Philip |
| spellingShingle |
Whyte, Philip Text and Context: Anglophone Literary Production in Ghana since 1945 |
| author_facet |
Whyte, Philip |
| author_sort |
Whyte, Philip |
| title |
Text and Context: Anglophone Literary Production in Ghana since 1945 |
| title_short |
Text and Context: Anglophone Literary Production in Ghana since 1945 |
| title_full |
Text and Context: Anglophone Literary Production in Ghana since 1945 |
| title_fullStr |
Text and Context: Anglophone Literary Production in Ghana since 1945 |
| title_full_unstemmed |
Text and Context: Anglophone Literary Production in Ghana since 1945 |
| title_sort |
text and context: anglophone literary production in ghana since 1945 |
| publisher |
Commonwealth Essays and Studies |
| publishDate |
2024 |
| container_title |
URI:https://journals.openedition.org/ces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/120tz https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ces/12349 |
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