White Form, Aboriginal Content: Philip McLaren’s Scream Black Murder
The pun in the title of Philip McLaren’s Scream Black Murder could indicate that this is a conventional crime novel in which the victims are black or that his intentions are militant; or both. In this novel McLaren uses a sub-genre of crime fiction as a vehicle for his activist Aboriginal message –...
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| Vydáno v: | URI:https://journals.openedition.org/ces, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
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Commonwealth Essays and Studies
2024
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:ces_11684 |
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openedition |
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openedition-oai:revues.org:ces_11684 https://doi.org/10.4000/123zn urn:doi:10.4000/123zn en https://journals.openedition.org/ces/11684 2024-07-30T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/123zn https://creativecommons.org/licenses/by-nc-nd/4.0/ White Form, Aboriginal Content: Philip McLaren’s Scream Black Murder Commonwealth Essays and Studies SEPC (Société d’études des pays du Commonwealth) info:eu-repo/semantics/reference/issn/2534-6695 info:eu-repo/semantics/reference/issn/2270-0633 URI:https://journals.openedition.org/ces Ryan-Fazilleau, Sue The pun in the title of Philip McLaren’s Scream Black Murder could indicate that this is a conventional crime novel in which the victims are black or that his intentions are militant; or both. In this novel McLaren uses a sub-genre of crime fiction as a vehicle for his activist Aboriginal message – the popular and sensational police procedure that centres around the crimes of a serial killer. This article studies the way in which he exploits the conventions of this sub-genre of Western literature to reinforce the impact of his post-colonial message. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The pun in the title of Philip McLaren’s Scream Black Murder could indicate that this is a conventional crime novel in which the victims are black or that his intentions are militant; or both. In this novel McLaren uses a sub-genre of crime fiction as a vehicle for his activist Aboriginal message – the popular and sensational police procedure that centres around the crimes of a serial killer. This article studies the way in which he exploits the conventions of this sub-genre of Western literature to reinforce the impact of his post-colonial message. |
| author |
Ryan-Fazilleau, Sue |
| spellingShingle |
Ryan-Fazilleau, Sue White Form, Aboriginal Content: Philip McLaren’s Scream Black Murder |
| author_facet |
Ryan-Fazilleau, Sue |
| author_sort |
Ryan-Fazilleau, Sue |
| title |
White Form, Aboriginal Content: Philip McLaren’s Scream Black Murder |
| title_short |
White Form, Aboriginal Content: Philip McLaren’s Scream Black Murder |
| title_full |
White Form, Aboriginal Content: Philip McLaren’s Scream Black Murder |
| title_fullStr |
White Form, Aboriginal Content: Philip McLaren’s Scream Black Murder |
| title_full_unstemmed |
White Form, Aboriginal Content: Philip McLaren’s Scream Black Murder |
| title_sort |
white form, aboriginal content: philip mclaren’s scream black murder |
| publisher |
Commonwealth Essays and Studies |
| publishDate |
2024 |
| container_title |
URI:https://journals.openedition.org/ces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/123zn https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ces/11684 |
| _version_ |
1877292340096270336 |