A la turka / A la franka : cultural ideology and musical change
The field research yielded a more complex appraisal of the state of the Sephardic musical art. Differential continuity and change was documented between generations of singers, and between component repertoires (e.g., secular and sacred, kantigas v. pizmonim) within the larger body of tradition. In...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/cemoti, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Français |
| Publié: |
Cahiers d’études sur la Méditerranée orientale et le monde turco-iranien
2004
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |