Des reines violentes
In 17th-century France, the warlike dimension of violence became one of the fundamental iconographic attributes of royalty. Although at the outset they were excluded from managing affairs of state on account of Salic law, the queens Marie de’ Medici and Anne of Austria nonetheless sought to wear the...
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| Опубликовано в: : | URI:https://journals.openedition.org/cel, |
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| Формат: | Article ou chapitre numérique |
| Язык: | Français |
| Опубликовано: |
Les Cahiers de l'École du Louvre
2020
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| Предметы: | |
| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:cel_9736 |
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openedition |
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openedition-oai:revues.org:cel_9736 https://doi.org/10.4000/cel.9736 urn:doi:10.4000/cel.9736 fr https://journals.openedition.org/cel/9736 2020-11-03T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/dpu8 https://creativecommons.org/licenses/by-nc-nd/4.0/ Des reines violentes Les Cahiers de l'École du Louvre École du Louvre info:eu-repo/semantics/reference/issn/2262-208X URI:https://journals.openedition.org/cel Bril, Damien violence reine Portrait du pouvoir genre et pouvoir iconographie royale France XVIIe siècle Marie de Médicis Anne d’Autriche violence queen Portraiture of power gender and power royal iconography France 17th century Marie de Medici Anne of Austria France In 17th-century France, the warlike dimension of violence became one of the fundamental iconographic attributes of royalty. Although at the outset they were excluded from managing affairs of state on account of Salic law, the queens Marie de’ Medici and Anne of Austria nonetheless sought to wear the costume of the chief of command in their portraits, in particular when they were placed at the head of the government in the position of regent. To achieve this, however, they did not employ a single formula but each developed personal strategies that varied in their means, objectives and results, borrowing in turn from mythological portraiture and historical representation to define their role in the management of conflicts, and ultimately of royal power. Dans sa dimension guerrière, la violence devient l’un des attributs iconographiques fondamentaux de la royauté en France au XVIIe siècle. Bien qu’elles soient a priori écartées de la gestion des affaires en raison de la loi salique, les reines Marie de Médicis et Anne d’Autriche cherchent néanmoins à endosser ce costume martial du chef de guerre dans leurs portraits, en particulier lorsqu’une régence de minorité les place à la tête du gouvernement. Pour cela, elles ne se réfèrent toutefois pas à une formule unique mais conçoivent chacune des stratégies personnelles, divergeant par les moyens, les objectifs et les résultats, en empruntant tour à tour au portrait mythologique ou à la représentation historique pour définir leur rôle dans la conduite des conflits, et in fine dans la maîtrise du pouvoir royal. |
| collection |
OpenEdition Journal |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
violence reine Portrait du pouvoir genre et pouvoir iconographie royale France XVIIe siècle Marie de Médicis Anne d’Autriche violence queen Portraiture of power gender and power royal iconography France 17th century Marie de Medici Anne of Austria |
| spellingShingle |
violence reine Portrait du pouvoir genre et pouvoir iconographie royale France XVIIe siècle Marie de Médicis Anne d’Autriche violence queen Portraiture of power gender and power royal iconography France 17th century Marie de Medici Anne of Austria Bril, Damien Des reines violentes |
| description |
In 17th-century France, the warlike dimension of violence became one of the fundamental iconographic attributes of royalty. Although at the outset they were excluded from managing affairs of state on account of Salic law, the queens Marie de’ Medici and Anne of Austria nonetheless sought to wear the costume of the chief of command in their portraits, in particular when they were placed at the head of the government in the position of regent. To achieve this, however, they did not employ a single formula but each developed personal strategies that varied in their means, objectives and results, borrowing in turn from mythological portraiture and historical representation to define their role in the management of conflicts, and ultimately of royal power. |
| author |
Bril, Damien |
| author_facet |
Bril, Damien |
| author_sort |
Bril, Damien |
| title |
Des reines violentes |
| title_short |
Des reines violentes |
| title_full |
Des reines violentes |
| title_fullStr |
Des reines violentes |
| title_full_unstemmed |
Des reines violentes |
| title_sort |
des reines violentes |
| publisher |
Les Cahiers de l'École du Louvre |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/cel |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/cel.9736 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/cel/9736 |
| _version_ |
1877293853047783424 |