Don’t Try This at Home: Interwar Parodies of Crime Fiction in the Eastern Mediterranean
This article explores the insights that crime fiction offers on state formation and democratic governance in modern Greece and Egypt. Despite differing historical paths after centuries of Ottoman rule, both nations experienced periods of democratic renegotiation alongside advancements in education a...
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| Izdano u: | URI:https://journals.openedition.org/belphegor, |
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| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
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Belphégor
2025
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| Online pristup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:belphegor_7489 |
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openedition |
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openedition-oai:revues.org:belphegor_7489 https://doi.org/10.4000/15ch9 urn:doi:10.4000/15ch9 en https://journals.openedition.org/belphegor/7489 2025-12-14T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/15ch9 https://creativecommons.org/licenses/by-nc-nd/4.0/ Don’t Try This at Home: Interwar Parodies of Crime Fiction in the Eastern Mediterranean Belphégor LPCM info:eu-repo/semantics/reference/issn/1499-7185 URI:https://journals.openedition.org/belphegor Parolin, Gianluca crime fiction Greece democracy modern state Egypt Grèce roman policier démocratie état Égypte This article explores the insights that crime fiction offers on state formation and democratic governance in modern Greece and Egypt. Despite differing historical paths after centuries of Ottoman rule, both nations experienced periods of democratic renegotiation alongside advancements in education and the press, which have been identified as factors facilitating the emergence of crime fiction. In the Interwar period, Greek author Nirvanas and Egyptian author al-Ḥakīm vernacularised the globally dominant genre in their works to critique the modern state’s failures, particularly its inability to ensure law and order. Their novels – Nirvanas’s Έγκλημα and al-Ḥakīm’s Yawmiyyāt – utilised parody to challenge the prevailing narrative of the modern state. The analysis suggests examining the role of the educated/effendiyya class, to which both authors belonged, in upholding the state and critiquing its malfunctioning. Ultimately, early works of crime fiction in the Eastern Mediterranean offer a poignant critique of state power and its ability to deliver on its promises. Cet article explore les perspectives que le roman policier offre sur la formation de l’État et la gouvernance démocratique dans la Grèce et l’Égypte modernes. Malgré des parcours historiques différents après des siècles de domination ottomane, les deux nations ont connu des périodes de renégociation démocratique ainsi que des progrès dans les domaines de l’éducation et de la presse, qui ont été identifiés comme des facteurs facilitant l’émergence du roman policier. Dans l’entre-deux-guerres, les auteurs grec Nirvanas et égyptien al-Ḥakīm ont vernacularisé le genre dominant à l’échelle mondiale dans leurs œuvres pour critiquer les échecs de l’État moderne, en particulier son incapacité à garantir l’ordre public. Leurs romans – Έγκλημα de Nirvanas et Yawmiyyāt d’al-Ḥakīm – utilisent la parodie pour remettre en question le récit dominant de l’État moderne. L’analyse suggère d’examiner le rôle de la classe éduquée/effendiyya, à laquelle appartenaient les deux auteurs, dans le maintien de l’État et la critique de ses dysfonctionnements. En fin de compte, les premières œuvres de fiction policière en Méditerranée orientale offrent une critique poignante du pouvoir de l’État et de sa capacité à tenir ses promesses. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
crime fiction Greece democracy modern state Egypt Grèce roman policier démocratie état Égypte |
| spellingShingle |
crime fiction Greece democracy modern state Egypt Grèce roman policier démocratie état Égypte Parolin, Gianluca Don’t Try This at Home: Interwar Parodies of Crime Fiction in the Eastern Mediterranean |
| description |
This article explores the insights that crime fiction offers on state formation and democratic governance in modern Greece and Egypt. Despite differing historical paths after centuries of Ottoman rule, both nations experienced periods of democratic renegotiation alongside advancements in education and the press, which have been identified as factors facilitating the emergence of crime fiction. In the Interwar period, Greek author Nirvanas and Egyptian author al-Ḥakīm vernacularised the globally dominant genre in their works to critique the modern state’s failures, particularly its inability to ensure law and order. Their novels – Nirvanas’s Έγκλημα and al-Ḥakīm’s Yawmiyyāt – utilised parody to challenge the prevailing narrative of the modern state. The analysis suggests examining the role of the educated/effendiyya class, to which both authors belonged, in upholding the state and critiquing its malfunctioning. Ultimately, early works of crime fiction in the Eastern Mediterranean offer a poignant critique of state power and its ability to deliver on its promises. |
| author |
Parolin, Gianluca |
| author_facet |
Parolin, Gianluca |
| author_sort |
Parolin, Gianluca |
| title |
Don’t Try This at Home: Interwar Parodies of Crime Fiction in the Eastern Mediterranean |
| title_short |
Don’t Try This at Home: Interwar Parodies of Crime Fiction in the Eastern Mediterranean |
| title_full |
Don’t Try This at Home: Interwar Parodies of Crime Fiction in the Eastern Mediterranean |
| title_fullStr |
Don’t Try This at Home: Interwar Parodies of Crime Fiction in the Eastern Mediterranean |
| title_full_unstemmed |
Don’t Try This at Home: Interwar Parodies of Crime Fiction in the Eastern Mediterranean |
| title_sort |
don’t try this at home: interwar parodies of crime fiction in the eastern mediterranean |
| publisher |
Belphégor |
| publishDate |
2025 |
| container_title |
URI:https://journals.openedition.org/belphegor |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/15ch9 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/belphegor/7489 |
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