Theatrical aspects in the cinematographic adaptations of Peter Pan: reminders of the initial form of the story

Before Peter Pan was published in the form of a novel one hundred years ago, J.M. Barrie’s story of “the boy who would not grow up” was brought to life on stage. The first performances took place in London as early as 1904, following which the play was quickly brought to New York, under the supervi...

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Huvudupphovsman: Wensierski, Charlotte
Materialtyp: Article ou chapitre numérique
Språk:Anglais
Publicerad: Belphégor 2013
Länkar:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:belphegor_397 https://doi.org/10.4000/belphegor.397 urn:doi:10.4000/belphegor.397 en https://journals.openedition.org/belphegor/397 2013-10-21T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/d8ll https://creativecommons.org/licenses/by-nc-nd/4.0/ Theatrical aspects in the cinematographic adaptations of Peter Pan: reminders of the initial form of the story Before Peter Pan was published in the form of a novel one hundred years ago, J.M. Barrie’s story of “the boy who would not grow up” was brought to life on stage. The first performances took place in London as early as 1904, following which the play was quickly brought to New York, under the supervision of Barrie’s impresario and friend, Charles Frohman. It was an immediate and unanimous success everywhere it went from the very beginning. In 1924, as J.M. Barrie had not yet published the defi... Belphégor LPCM info:eu-repo/semantics/reference/issn/1499-7185 URI:https://journals.openedition.org/belphegor Wensierski, Charlotte
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language Anglais
format Article ou chapitre numérique
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description Before Peter Pan was published in the form of a novel one hundred years ago, J.M. Barrie’s story of “the boy who would not grow up” was brought to life on stage. The first performances took place in London as early as 1904, following which the play was quickly brought to New York, under the supervision of Barrie’s impresario and friend, Charles Frohman. It was an immediate and unanimous success everywhere it went from the very beginning. In 1924, as J.M. Barrie had not yet published the defi...
author Wensierski, Charlotte
spellingShingle Wensierski, Charlotte
Theatrical aspects in the cinematographic adaptations of Peter Pan: reminders of the initial form of the story
author_facet Wensierski, Charlotte
author_sort Wensierski, Charlotte
title Theatrical aspects in the cinematographic adaptations of Peter Pan: reminders of the initial form of the story
title_short Theatrical aspects in the cinematographic adaptations of Peter Pan: reminders of the initial form of the story
title_full Theatrical aspects in the cinematographic adaptations of Peter Pan: reminders of the initial form of the story
title_fullStr Theatrical aspects in the cinematographic adaptations of Peter Pan: reminders of the initial form of the story
title_full_unstemmed Theatrical aspects in the cinematographic adaptations of Peter Pan: reminders of the initial form of the story
title_sort theatrical aspects in the cinematographic adaptations of peter pan: reminders of the initial form of the story
publisher Belphégor
publishDate 2013
container_title URI:https://journals.openedition.org/belphegor
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/belphegor.397
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/belphegor/397
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