A Hard Day’s Knights: Movie Time Travel, the Middle Ages, and a New Millenium : Gil Junger's Black Knight and Richard Donner's Timeline

This article addresses the cinematic treatment of the Middle Ages through an analysis of two recent mass-audience American films, Black Knight and Timeline, both of which feature time travel as a leading plot element. Providing context for this discussion is a brief analysis of other similar films,...

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Xuất bản năm:URI:https://journals.openedition.org/babel,
Tác giả chính: Engle, John
Định dạng: Article ou chapitre numérique
Ngôn ngữ:Anglais
Được phát hành: Babel 2013
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Truy cập trực tuyến:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id openedition-oai:revues.org:babel_829
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spelling openedition-oai:revues.org:babel_829 https://doi.org/10.4000/babel.829 urn:doi:10.4000/babel.829 en https://journals.openedition.org/babel/829 2013-07-18T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/d50b https://creativecommons.org/licenses/by-nc-nd/4.0/ A Hard Day’s Knights: Movie Time Travel, the Middle Ages, and a New Millenium : Gil Junger's Black Knight and Richard Donner's Timeline Babel Université de Toulon info:eu-repo/semantics/reference/issn/2263-4746 info:eu-repo/semantics/reference/issn/1277-7897 URI:https://journals.openedition.org/babel Engle, John cinema adaptation timeline Black Knight time travel Middle Ages medieval millennial anxiety contemporary Age This article addresses the cinematic treatment of the Middle Ages through an analysis of two recent mass-audience American films, Black Knight and Timeline, both of which feature time travel as a leading plot element. Providing context for this discussion is a brief analysis of other similar films, as well as remarks regarding Twain's Connecticut Yankee, Ruskin's The Stones of Venice, and The Idylls of the King by Tennyson. As in these other works, the films in question use certain popular stereotypes of the Middle Ages—endemic violence, rigid class distinctions, religious fanaticism, spiritual cohesion, etc.—as lens through which to view the contemporary world. In addition to their roles as comic or action entertainment vehicles, Black Knight indirectly addresses American individualism and a cutthroat modern corporate culture, whereas Timeline touches upon millennial anxiety, '90's ethnic cleansing, and the American misadventure in Iraq.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic cinema adaptation
timeline
Black Knight
time travel
Middle Ages
medieval
millennial anxiety
contemporary Age
spellingShingle cinema adaptation
timeline
Black Knight
time travel
Middle Ages
medieval
millennial anxiety
contemporary Age
Engle, John
A Hard Day’s Knights: Movie Time Travel, the Middle Ages, and a New Millenium : Gil Junger's Black Knight and Richard Donner's Timeline
description This article addresses the cinematic treatment of the Middle Ages through an analysis of two recent mass-audience American films, Black Knight and Timeline, both of which feature time travel as a leading plot element. Providing context for this discussion is a brief analysis of other similar films, as well as remarks regarding Twain's Connecticut Yankee, Ruskin's The Stones of Venice, and The Idylls of the King by Tennyson. As in these other works, the films in question use certain popular stereotypes of the Middle Ages—endemic violence, rigid class distinctions, religious fanaticism, spiritual cohesion, etc.—as lens through which to view the contemporary world. In addition to their roles as comic or action entertainment vehicles, Black Knight indirectly addresses American individualism and a cutthroat modern corporate culture, whereas Timeline touches upon millennial anxiety, '90's ethnic cleansing, and the American misadventure in Iraq.
author Engle, John
author_facet Engle, John
author_sort Engle, John
title A Hard Day’s Knights: Movie Time Travel, the Middle Ages, and a New Millenium : Gil Junger's Black Knight and Richard Donner's Timeline
title_short A Hard Day’s Knights: Movie Time Travel, the Middle Ages, and a New Millenium : Gil Junger's Black Knight and Richard Donner's Timeline
title_full A Hard Day’s Knights: Movie Time Travel, the Middle Ages, and a New Millenium : Gil Junger's Black Knight and Richard Donner's Timeline
title_fullStr A Hard Day’s Knights: Movie Time Travel, the Middle Ages, and a New Millenium : Gil Junger's Black Knight and Richard Donner's Timeline
title_full_unstemmed A Hard Day’s Knights: Movie Time Travel, the Middle Ages, and a New Millenium : Gil Junger's Black Knight and Richard Donner's Timeline
title_sort hard day’s knights: movie time travel, the middle ages, and a new millenium : gil junger's black knight and richard donner's timeline
publisher Babel
publishDate 2013
container_title URI:https://journals.openedition.org/babel
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/babel.829
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/babel/829
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