Why does Farmer Boldwood keep so many time-pieces on the mantel-shelf of his dining-room in J. Schlesinger’s film adaptation of T. Hardy’s Far from the Madding Crowd?
The main purpose of this article is to try and overcome the time-worn polarity fidelity/betrayal by which the issue of film adaptation is often plagued. We would like to call viewer-response criticism the taking into account of the spectator's cultural, artistic and hermeneutic horizon of expec...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/babel, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Babel
2013
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |