Foreword
In his famous generic enumeration of dramatic genres, Polonius ends on an intriguing ‘scene individable’ (2.2.365). Harold Jenkins was the first to reject the meaning of this enthralling term as referring to the unity of place, preferring to understand it as part of other ‘unclassifiable’ genres (2...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/asf, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Arrêt sur scène / Scene Focus
2024
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |