Performing power and the power of performance in the bed-space of Jonson’s Volpone (1606)
The bed or couch in Ben Jonson’s Volpone is, like many theatrical beds, never a place of rest. Instead, it is the play’s foremost metatheatrical locus, a conceptual and material stage and tiring house that facilitates theatrical deceit beyond the bed-trick. This paper argues that Jonson’s play invok...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/asf, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Arrêt sur scène / Scene Focus
2022
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |