Prologue : “In my end is my beginning”: time’s up for The Duchess of Malfi
When Paul Hammond discusses the function of “an Italy of the mind” in Shakespeare’s comedies, he defines it as a “space in which unusual happenings were possible” that is not “constrained by the kinds of plausibility demanded in London city comedy”. Similarly, John Webster’s The Duchess of Malfi te...
Sábháilte in:
| Foilsithe in: | URI:https://journals.openedition.org/asf, |
|---|---|
| Príomhchruthaitheoir: | |
| Formáid: | Article ou chapitre numérique |
| Teanga: | Anglais |
| Foilsithe / Cruthaithe: |
Arrêt sur scène / Scene Focus
2023
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| Rochtain ar líne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |