‘Pseudonecromantic spectres’: dark media and the technological sublime in eighteenth-century phantasmagoria
Debuting at the very end of the eighteenth century, the Phantasmagoria (La Fantasmagorie) was an astounding combination of art and science. By projecting painted slides onto a transparent screen, the Phantasmagoria gave the impression that the veil separating the living and the dead had been breache...
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| Pubblicato in: | URI:https://journals.openedition.org/asf, |
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| Autori principali: | , |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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Arrêt sur scène / Scene Focus
2022
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| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |