Ghosting the past: exploring Mark Antony’s ghost as an allegory on history in Jodelle’s Cléopâtre captive
This paper explores how Antony as a ghost in Act I of Étienne Jodelle’s Cléopâtre captive (1553) engages spectators in a reflection on history. By drawing on Walter Benjamin’s discussion of the ghost figure in the German mourning play, the paper reinterprets Antony’s ghost as a borderline figure bot...
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| Pubblicato in: | URI:https://journals.openedition.org/asf, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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Arrêt sur scène / Scene Focus
2022
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |