“Dammi un bacio” and “Ulciscar”: Loving in Italian and Killing in Latin in John Marston’s Antonio plays
The use of languages such as French and Italian in the predominantly Anglophone theatre of early modern Britain offers opportunities to stage scenes in the Other’s language, as in Henry V. Those languages and Latin can also serve to craft encounters in a language other than the one habitually spoken...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/asf, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Arrêt sur scène / Scene Focus
2022
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |