Kodak’s Colorama and the Construction of the Gaze in Public Space
Between the 1950s and 1989, Kodak continuously occupied a surface of approximately one hundred square metres in New York’s Grand Central Station with a display of panoramic photographs that were changed regularly. These giant “Coloramas” presented photographed scenes that were taken specifically for...
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| Gepubliceerd in: | URI:https://journals.openedition.org/articulo, |
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| Formaat: | Article ou chapitre numérique |
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Journal of Urban Research
2019
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| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |