Il disegno, il General Intellect e la città: per una rilettura del Vasari
Starting from a reinterpretation of 16th Century “teoriche” focusing on the notion of “disegno”, the article examines the use of this terms in Giorgio Vasari’s work. For the author of Le vite de’ più eccellenti pittori, scultori e architettori (1550 and 1568), drawing (“disegno”) corresponds to a fo...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/ardeth, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Italien |
| منشور في: |
Ardeth
2020
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM |