The Tourist and “The One Who Waits”
To consider photographs as historical objects is necessarily to rediscover them in one of those bifurcations where, as Walter Benjamin proposes, the conscious and the unconscious—lived and unlived—come face to face. In convolute D of The Arcades Project, the chronological milestones the philosopher...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/am, |
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| Format: | Article ou chapitre numérique |
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Anthropology + Materialism
2019
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |