On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell

This article explores the representations of violence in Susan Glaspell’s play first produced by the Provincetown Players, the amateur theatre group that Glaspell and her husband, George Cram Cook, founded in 1915. In this work, the playwright sheds light on what sociologist Pierre Bourdieu later de...

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1. Verfasser: Jouve, Emeline
Format: Article ou chapitre numérique
Sprache:Français
Veröffentlicht: Anglophonia Caliban/Sigma 2024
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spelling openedition-oai:revues.org:acs_2162 https://doi.org/10.4000/caliban.2162 urn:doi:10.4000/caliban.2162 fr https://journals.openedition.org/acs/2162 2024-01-30T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/vpj1 https://creativecommons.org/licenses/by-nc-nd/4.0/ On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell Anglophonia Caliban/Sigma Presses universitaires du Midi info:eu-repo/semantics/reference/issn/2802-2777 info:eu-repo/semantics/reference/issn/1278-3331 URI:https://journals.openedition.org/acs Jouve, Emeline théâtre américain Susan Glaspell Violence femmes émancipation féminine expressionisme patriarcat réception This article explores the representations of violence in Susan Glaspell’s play first produced by the Provincetown Players, the amateur theatre group that Glaspell and her husband, George Cram Cook, founded in 1915. In this work, the playwright sheds light on what sociologist Pierre Bourdieu later defined, in his seminal Masculine Domination, as "symbolic violence." Following Glaspell, we will examine the mechanisms of this masculine domination that oppresses her female heroine, Claire. The playwright also shows how women are able to counteract patriarchal violence and free themselves from the yoke of alienating conventions. The playwright does not trap Claire in the role of the passive victim but, instead, depicts her as a rebellious artist, Glaspell viewed her writing as political activism and encouraged active participation from her audience. This analysis will therefore consider the strategies used by the playwright to raise her spectators’ awareness of the issues surrounding symbolic violence.
collection OpenEdition Journal
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic théâtre américain
Susan Glaspell
Violence
femmes
émancipation féminine
expressionisme
patriarcat
réception
spellingShingle théâtre américain
Susan Glaspell
Violence
femmes
émancipation féminine
expressionisme
patriarcat
réception
Jouve, Emeline
On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
description This article explores the representations of violence in Susan Glaspell’s play first produced by the Provincetown Players, the amateur theatre group that Glaspell and her husband, George Cram Cook, founded in 1915. In this work, the playwright sheds light on what sociologist Pierre Bourdieu later defined, in his seminal Masculine Domination, as "symbolic violence." Following Glaspell, we will examine the mechanisms of this masculine domination that oppresses her female heroine, Claire. The playwright also shows how women are able to counteract patriarchal violence and free themselves from the yoke of alienating conventions. The playwright does not trap Claire in the role of the passive victim but, instead, depicts her as a rebellious artist, Glaspell viewed her writing as political activism and encouraged active participation from her audience. This analysis will therefore consider the strategies used by the playwright to raise her spectators’ awareness of the issues surrounding symbolic violence.
author Jouve, Emeline
author_facet Jouve, Emeline
author_sort Jouve, Emeline
title On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
title_short On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
title_full On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
title_fullStr On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
title_full_unstemmed On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
title_sort on the verge: dramatisation de la violence symbolique dans the verge de susan glaspell
publisher Anglophonia Caliban/Sigma
publishDate 2024
container_title URI:https://journals.openedition.org/acs
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/caliban.2162
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/acs/2162
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