On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
This article explores the representations of violence in Susan Glaspell’s play first produced by the Provincetown Players, the amateur theatre group that Glaspell and her husband, George Cram Cook, founded in 1915. In this work, the playwright sheds light on what sociologist Pierre Bourdieu later de...
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| Veröffentlicht in: | URI:https://journals.openedition.org/acs, |
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| Format: | Article ou chapitre numérique |
| Sprache: | Français |
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Anglophonia Caliban/Sigma
2024
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:acs_2162 |
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openedition |
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openedition-oai:revues.org:acs_2162 https://doi.org/10.4000/caliban.2162 urn:doi:10.4000/caliban.2162 fr https://journals.openedition.org/acs/2162 2024-01-30T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/vpj1 https://creativecommons.org/licenses/by-nc-nd/4.0/ On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell Anglophonia Caliban/Sigma Presses universitaires du Midi info:eu-repo/semantics/reference/issn/2802-2777 info:eu-repo/semantics/reference/issn/1278-3331 URI:https://journals.openedition.org/acs Jouve, Emeline théâtre américain Susan Glaspell Violence femmes émancipation féminine expressionisme patriarcat réception This article explores the representations of violence in Susan Glaspell’s play first produced by the Provincetown Players, the amateur theatre group that Glaspell and her husband, George Cram Cook, founded in 1915. In this work, the playwright sheds light on what sociologist Pierre Bourdieu later defined, in his seminal Masculine Domination, as "symbolic violence." Following Glaspell, we will examine the mechanisms of this masculine domination that oppresses her female heroine, Claire. The playwright also shows how women are able to counteract patriarchal violence and free themselves from the yoke of alienating conventions. The playwright does not trap Claire in the role of the passive victim but, instead, depicts her as a rebellious artist, Glaspell viewed her writing as political activism and encouraged active participation from her audience. This analysis will therefore consider the strategies used by the playwright to raise her spectators’ awareness of the issues surrounding symbolic violence. |
| collection |
OpenEdition Journal |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
théâtre américain Susan Glaspell Violence femmes émancipation féminine expressionisme patriarcat réception |
| spellingShingle |
théâtre américain Susan Glaspell Violence femmes émancipation féminine expressionisme patriarcat réception Jouve, Emeline On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell |
| description |
This article explores the representations of violence in Susan Glaspell’s play first produced by the Provincetown Players, the amateur theatre group that Glaspell and her husband, George Cram Cook, founded in 1915. In this work, the playwright sheds light on what sociologist Pierre Bourdieu later defined, in his seminal Masculine Domination, as "symbolic violence." Following Glaspell, we will examine the mechanisms of this masculine domination that oppresses her female heroine, Claire. The playwright also shows how women are able to counteract patriarchal violence and free themselves from the yoke of alienating conventions. The playwright does not trap Claire in the role of the passive victim but, instead, depicts her as a rebellious artist, Glaspell viewed her writing as political activism and encouraged active participation from her audience. This analysis will therefore consider the strategies used by the playwright to raise her spectators’ awareness of the issues surrounding symbolic violence. |
| author |
Jouve, Emeline |
| author_facet |
Jouve, Emeline |
| author_sort |
Jouve, Emeline |
| title |
On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell |
| title_short |
On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell |
| title_full |
On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell |
| title_fullStr |
On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell |
| title_full_unstemmed |
On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell |
| title_sort |
on the verge: dramatisation de la violence symbolique dans the verge de susan glaspell |
| publisher |
Anglophonia Caliban/Sigma |
| publishDate |
2024 |
| container_title |
URI:https://journals.openedition.org/acs |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/caliban.2162 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/acs/2162 |
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