Ombres et lumières croisées : l’appropriation prométhéenne de la lumière dans les peintures de Wright of Derby (1734-97) et John Martin (1789-1854)
In the very disparate paintings of John Martin (1789-1854) and Wright of Derby (1734-97), whether it be the scenes of scientific experimentation, the forges, the engineering projects, the candlelight paintings, the Italian paintings or the landscapes, what seems to link them is a strong attention to...
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| Publicado no: | URI:https://journals.openedition.org/acs, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
| Publicado em: |
Anglophonia Caliban/Sigma
2024
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| Assuntos: | |
| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |