"There’d always be something left" : (im)matérialité de la ville dans Hughie de Eugene O’Neill
Eugene O’Neill’s Hughie exemplifies the dramatist’s concern with the theme of absence. In this late one-act play, New York remains at first invisible and the stage constitutes an empty space. The city is characterized by emptiness and anonymity. The scenery of the play only emphasizes the vacuity of...
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| Pubblicato in: | URI:https://journals.openedition.org/acs, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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Anglophonia Caliban/Sigma
2024
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |