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Cassils, a transgender artist, uses their body as the material and protagonist of their live performances. Their art centers on the history of violence affecting the lgbtqi + community, along with its struggles for representation and survival. For Cassils, performances are kinds of social sculptures...

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Bibliografske podrobnosti
Glavni avtor: Watteau, Diane
Format: Article ou chapitre numérique
Jezik:Français
Izdano: 2025
Online dostop:Accès Université d'Orléans et IFPM
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spelling cairn-SC_033_0127SCSavoirs et clinique https://shs.cairn.info/revue-savoirs-et-clinique-2025-2-page-127?lang=fr Pages de fin Watteau, Diane2025 fre Savoirs et clinique | 33 | 2 | 2025-09-15 | p. 127-136 | 1634-3298 SC_03360 Cassils, a transgender artist, uses their body as the material and protagonist of their live performances. Their art centers on the history of violence affecting the lgbtqi + community, along with its struggles for representation and survival. For Cassils, performances are kinds of social sculptures illustrating the fact that bodies are molded by social expectations and political forces. As such, the artist explores historical contexts the better to scrutinize the present moment. In Cassils’s art, gender becomes a corporeal sculpture, where neither sex nor anatomy are destiny.Cassils, artiste transgenre, fait de son propre corps le matériau et le protagoniste de ses performances. L’art de Cassils porte sur l’histoire de la violence, de la représentation, de la lutte et de la survie lgbtqi+. Pour Cassils, la performance est une forme de sculpture sociale : partant de l’idée que les corps se forment en relation avec les forces du pouvoir et les attentes sociales, le travail de Cassils explore les contextes historiques pour examiner le moment présent. Le genre devient une sculpture corporelle. Ni le sexe ni l’anatomie n’y sont un destin.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description Cassils, a transgender artist, uses their body as the material and protagonist of their live performances. Their art centers on the history of violence affecting the lgbtqi + community, along with its struggles for representation and survival. For Cassils, performances are kinds of social sculptures illustrating the fact that bodies are molded by social expectations and political forces. As such, the artist explores historical contexts the better to scrutinize the present moment. In Cassils’s art, gender becomes a corporeal sculpture, where neither sex nor anatomy are destiny.
author Watteau, Diane
spellingShingle Watteau, Diane
Pages de fin
author_facet Watteau, Diane
author_sort Watteau, Diane
title Pages de fin
title_short Pages de fin
title_full Pages de fin
title_fullStr Pages de fin
title_full_unstemmed Pages de fin
title_sort pages de fin
publishDate 2025
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-savoirs-et-clinique-2025-2-page-127?lang=fr
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