The Fabelmans. À propos du film de Steven Spielberg (2023)
In his commentary on Todd Field’s film Tár, released in 2022, the author defines the notion of parallax from a philosophical point of view and uses it to portray the main character, a famous female conductor and composer. He notes that, both because of the different points of view from which she is...
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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2024
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-SC_031_0140 |
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cairn |
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cairn-SC_031_0140SCSavoirs et clinique https://shs.cairn.info/revue-savoirs-et-cliniques-2024-2-page-140?lang=fr https://doi.org/10.3917/sc.031.0140 The Fabelmans. À propos du film de Steven Spielberg (2023) Roussille, Marie-Amélie2024 fre Savoirs et clinique | 31 | 2 | 2024-09-18 | p. 140-143 | 1634-3298 SC_031100 In his commentary on Todd Field’s film Tár, released in 2022, the author defines the notion of parallax from a philosophical point of view and uses it to portray the main character, a famous female conductor and composer. He notes that, both because of the different points of view from which she is observed and because of her own ontological variations, this character has been variously apprehended by critics. In his view, the challenge of the film is to show, through the artist and her work, how horror can be lodged at the heart of beauty.Dans son commentaire du film Tár de Todd Field sorti en 2022, l’auteur définit d’un point de vue philosophique la notion de parallaxe et l’utilise pour en camper le personnage principal, une célèbre femme chef d’orchestre et compositeur. Il constate que, tant en raison des différents points de vue depuis lequel il est observé que de ses propres variations ontologiques, ce personnage a été diversement appréhendé par la critique. Selon lui, l’enjeu du film est de montrer, au travers de l’artiste et de son œuvre, comment l’horreur peut se loger au cœur du beau.Cairn restricted access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
In his commentary on Todd Field’s film Tár, released in 2022, the author defines the notion of parallax from a philosophical point of view and uses it to portray the main character, a famous female conductor and composer. He notes that, both because of the different points of view from which she is observed and because of her own ontological variations, this character has been variously apprehended by critics. In his view, the challenge of the film is to show, through the artist and her work, how horror can be lodged at the heart of beauty. |
| author |
Roussille, Marie-Amélie |
| spellingShingle |
Roussille, Marie-Amélie The Fabelmans. À propos du film de Steven Spielberg (2023) |
| author_facet |
Roussille, Marie-Amélie |
| author_sort |
Roussille, Marie-Amélie |
| title |
The Fabelmans. À propos du film de Steven Spielberg (2023) |
| title_short |
The Fabelmans. À propos du film de Steven Spielberg (2023) |
| title_full |
The Fabelmans. À propos du film de Steven Spielberg (2023) |
| title_fullStr |
The Fabelmans. À propos du film de Steven Spielberg (2023) |
| title_full_unstemmed |
The Fabelmans. À propos du film de Steven Spielberg (2023) |
| title_sort |
fabelmans. à propos du film de steven spielberg (2023) |
| publishDate |
2024 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-savoirs-et-cliniques-2024-2-page-140?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/sc.031.0140 |
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