Jean-Nicolas Illouz. Mallarmé entre les arts. Rennes, Presses universitaires de Rennes, 2024, 251 p.

In the first quarter of the 19th century, French history wall posters benefited from a particular intellectual context, which promoted the national narrative as much as its pedagogy. As history was gradually established as a school subject, the wall poster was presented as a specific material medium...

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1. autor: Bohac, Barbara
Format: Article ou chapitre numérique
Język:Français
Wydane: 2025
Dostęp online:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-ROM_208_0128ROMRomantisme https://shs.cairn.info/revue-romantisme-2025-2-page-128?lang=fr https://doi.org/10.3917/rom.208.0128 Jean-Nicolas Illouz. Mallarmé entre les arts. Rennes, Presses universitaires de Rennes, 2024, 251 p. Bohac, Barbara2025 fre Romantisme | 208 | 2 | 2025-06-05 | p. 128-130 | 0048-8593 ROM_20876 In the first quarter of the 19th century, French history wall posters benefited from a particular intellectual context, which promoted the national narrative as much as its pedagogy. As history was gradually established as a school subject, the wall poster was presented as a specific material medium, making it possible to encompass all knowledge of the nation's past in a single glance. However, the material characteristics of these objects seem to be holding back their development. Although some posters were relatively widely distributed, and benefited from genuine promotional campaigns, publishers invested little in them. It’s only the Third Republic that this original material became an integral part of the range of tools used to teach French history.Les affiches murales d’histoire de France bénéficient dans le premier quart du xixe siècle d’un contexte intellectuel particulier, qui promeut le récit national tout autant que sa pédagogie. Tandis que l’histoire s’installe progressivement dans le champ des matières scolaires, l’affiche murale se présente comme un support matériel spécifique, permettant d’embrasser d’un seul regard l’ensemble des savoirs sur ce passé de la nation. Les particularités matérielles de ces objets semblent toutefois en retarder l’essor. Bien que certaines affiches connaissent une diffusion relativement importante, et bénéficient de véritables campagnes promotionnelles, les éditeurs investissent peu sur elles. C’est seulement sous la IIIe République que ce support matériel original s’impose comme élément de la panoplie d’outils au service de l’enseignement de cette matière reine qu'est désormais l’histoire de France.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description In the first quarter of the 19th century, French history wall posters benefited from a particular intellectual context, which promoted the national narrative as much as its pedagogy. As history was gradually established as a school subject, the wall poster was presented as a specific material medium, making it possible to encompass all knowledge of the nation's past in a single glance. However, the material characteristics of these objects seem to be holding back their development. Although some posters were relatively widely distributed, and benefited from genuine promotional campaigns, publishers invested little in them. It’s only the Third Republic that this original material became an integral part of the range of tools used to teach French history.
author Bohac, Barbara
spellingShingle Bohac, Barbara
Jean-Nicolas Illouz. Mallarmé entre les arts. Rennes, Presses universitaires de Rennes, 2024, 251 p.
author_facet Bohac, Barbara
author_sort Bohac, Barbara
title Jean-Nicolas Illouz. Mallarmé entre les arts. Rennes, Presses universitaires de Rennes, 2024, 251 p.
title_short Jean-Nicolas Illouz. Mallarmé entre les arts. Rennes, Presses universitaires de Rennes, 2024, 251 p.
title_full Jean-Nicolas Illouz. Mallarmé entre les arts. Rennes, Presses universitaires de Rennes, 2024, 251 p.
title_fullStr Jean-Nicolas Illouz. Mallarmé entre les arts. Rennes, Presses universitaires de Rennes, 2024, 251 p.
title_full_unstemmed Jean-Nicolas Illouz. Mallarmé entre les arts. Rennes, Presses universitaires de Rennes, 2024, 251 p.
title_sort jean-nicolas illouz. mallarmé entre les arts. rennes, presses universitaires de rennes, 2024, 251 p.
publishDate 2025
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-romantisme-2025-2-page-128?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rom.208.0128
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