Arts visuels et réformes bénédictines dans les anciens Pays-Bas à la fin du Moyen Âge : bilan et perspectives de recherche
In the last few years, the study of the monastic reforms of the late Middle Ages has undergone a number of rich and varied new developments. As far as the Benedictine world is concerned, much of the emphasis has been on the textual sources. This article takes a historiographical perspective on the w...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Article ou chapitre numérique |
| اللغة: | Français |
| منشور في: |
2024
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | In the last few years, the study of the monastic reforms of the late Middle Ages has undergone a number of rich and varied new developments. As far as the Benedictine world is concerned, much of the emphasis has been on the textual sources. This article takes a historiographical perspective on the works of art produced in the context of the Benedictine reforms in the Southern Low Countries. It examines how they have been studied (or not) as objects that illuminate and help us to understand the many aspects of these reform processes. Many Benedictine reformers, such as Jacques Coëne or Guillaume de Bruxelles, have been brought to light, and their patronage has been well studied, but the role of the artworks they commissioned in their reform activities has not yet been investigated. These lines of research will undoubtedly allow us to take a new look at these objects and enrich our understanding of the reform movements in the Benedictine monasteries of the Southern Low Countries at the end of the Middle Ages. |
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