Albert Derolez, The Making and Meaning of the Liber Floridus. A Study of the Original Manuscript, Ghent, University Library MS 92, Turnhout, Brepols–Harvey Miller Publ., 2015 ; 1 vol., iv–355 p. (Studies in Medieval and Early Renaissance Art History, 76). ISBN : 978-1-909400-22-1. Prix : € 125,00

From the Château de Gaillon to the Louvre: Louis XII’s Bust, a Royal Effigy DismemberedThis paper follows the journey of the 1508 bust of Louis XII by Lorenzo da Muzzano from its dominant position on the façade of the courtyard of the Grant’Maison of the Château de Gaillon to the Louvre, where it i...

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Autor Principal: Klapisch-Zuber, Christiane
Formato: Article ou chapitre numérique
Idioma:Français
Publicado: 2017
Acceso en liña:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RMA_232_0377xRMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2017-2-page-XXIV?lang=fr https://doi.org/10.3917/rma.232.0377x Albert Derolez, The Making and Meaning of the Liber Floridus. A Study of the Original Manuscript, Ghent, University Library MS 92, Turnhout, Brepols–Harvey Miller Publ., 2015 ; 1 vol., iv–355 p. (Studies in Medieval and Early Renaissance Art History, 76). ISBN : 978-1-909400-22-1. Prix : € 125,00 Klapisch-Zuber, Christiane2017 fre Le Moyen Âge | CXXIII | 2 | 2017-12-22 | p. XXIV-XXIV | 0027-2841 RMA_23296 From the Château de Gaillon to the Louvre: Louis XII’s Bust, a Royal Effigy DismemberedThis paper follows the journey of the 1508 bust of Louis XII by Lorenzo da Muzzano from its dominant position on the façade of the courtyard of the Grant’Maison of the Château de Gaillon to the Louvre, where it is now exhibited. Starting in the French Revolution, the sculpture was repeatedly mutilated and restored, which each time changed its possible interpretation. The aim of this paper is to rediscover the representation of this King of France as a Roman Imperator by understanding his objectives during the Italian wars. The map, part of which was also mutilated and restored over time, is held firmly in his left hand and is testimony to his ambitions for the peninsula and helps us to redefine and better understand them.Cairn free access
language Français
format Article ou chapitre numérique
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description From the Château de Gaillon to the Louvre: Louis XII’s Bust, a Royal Effigy DismemberedThis paper follows the journey of the 1508 bust of Louis XII by Lorenzo da Muzzano from its dominant position on the façade of the courtyard of the Grant’Maison of the Château de Gaillon to the Louvre, where it is now exhibited. Starting in the French Revolution, the sculpture was repeatedly mutilated and restored, which each time changed its possible interpretation. The aim of this paper is to rediscover the representation of this King of France as a Roman Imperator by understanding his objectives during the Italian wars. The map, part of which was also mutilated and restored over time, is held firmly in his left hand and is testimony to his ambitions for the peninsula and helps us to redefine and better understand them.
author Klapisch-Zuber, Christiane
spellingShingle Klapisch-Zuber, Christiane
Albert Derolez, The Making and Meaning of the Liber Floridus. A Study of the Original Manuscript, Ghent, University Library MS 92, Turnhout, Brepols–Harvey Miller Publ., 2015 ; 1 vol., iv–355 p. (Studies in Medieval and Early Renaissance Art History, 76). ISBN : 978-1-909400-22-1. Prix : € 125,00
author_facet Klapisch-Zuber, Christiane
author_sort Klapisch-Zuber, Christiane
title Albert Derolez, The Making and Meaning of the Liber Floridus. A Study of the Original Manuscript, Ghent, University Library MS 92, Turnhout, Brepols–Harvey Miller Publ., 2015 ; 1 vol., iv–355 p. (Studies in Medieval and Early Renaissance Art History, 76). ISBN : 978-1-909400-22-1. Prix : € 125,00
title_short Albert Derolez, The Making and Meaning of the Liber Floridus. A Study of the Original Manuscript, Ghent, University Library MS 92, Turnhout, Brepols–Harvey Miller Publ., 2015 ; 1 vol., iv–355 p. (Studies in Medieval and Early Renaissance Art History, 76). ISBN : 978-1-909400-22-1. Prix : € 125,00
title_full Albert Derolez, The Making and Meaning of the Liber Floridus. A Study of the Original Manuscript, Ghent, University Library MS 92, Turnhout, Brepols–Harvey Miller Publ., 2015 ; 1 vol., iv–355 p. (Studies in Medieval and Early Renaissance Art History, 76). ISBN : 978-1-909400-22-1. Prix : € 125,00
title_fullStr Albert Derolez, The Making and Meaning of the Liber Floridus. A Study of the Original Manuscript, Ghent, University Library MS 92, Turnhout, Brepols–Harvey Miller Publ., 2015 ; 1 vol., iv–355 p. (Studies in Medieval and Early Renaissance Art History, 76). ISBN : 978-1-909400-22-1. Prix : € 125,00
title_full_unstemmed Albert Derolez, The Making and Meaning of the Liber Floridus. A Study of the Original Manuscript, Ghent, University Library MS 92, Turnhout, Brepols–Harvey Miller Publ., 2015 ; 1 vol., iv–355 p. (Studies in Medieval and Early Renaissance Art History, 76). ISBN : 978-1-909400-22-1. Prix : € 125,00
title_sort albert derolez, the making and meaning of the liber floridus. a study of the original manuscript, ghent, university library ms 92, turnhout, brepols–harvey miller publ., 2015 ; 1 vol., iv–355 p. (studies in medieval and early renaissance art history, 76). isbn : 978-1-909400-22-1. prix : € 125,00
publishDate 2017
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-le-moyen-age-2017-2-page-XXIV?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rma.232.0377x
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