Du nouveau sur Eustache Deschamps
From the Château de Gaillon to the Louvre: Louis XII’s Bust, a Royal Effigy DismemberedThis paper follows the journey of the 1508 bust of Louis XII by Lorenzo da Muzzano from its dominant position on the façade of the courtyard of the Grant’Maison of the Château de Gaillon to the Louvre, where it i...
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2017
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RMA_232_0365 |
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cairn-RMA_232_0365RMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2017-2-page-365?lang=fr https://doi.org/10.3917/rma.232.0365 Du nouveau sur Eustache Deschamps Evdokimova, Ludmilla2017 fre Le Moyen Âge | CXXIII | 2 | 2017-12-22 | p. 365-376 | 0027-2841 RMA_23272 From the Château de Gaillon to the Louvre: Louis XII’s Bust, a Royal Effigy DismemberedThis paper follows the journey of the 1508 bust of Louis XII by Lorenzo da Muzzano from its dominant position on the façade of the courtyard of the Grant’Maison of the Château de Gaillon to the Louvre, where it is now exhibited. Starting in the French Revolution, the sculpture was repeatedly mutilated and restored, which each time changed its possible interpretation. The aim of this paper is to rediscover the representation of this King of France as a Roman Imperator by understanding his objectives during the Italian wars. The map, part of which was also mutilated and restored over time, is held firmly in his left hand and is testimony to his ambitions for the peninsula and helps us to redefine and better understand them.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
From the Château de Gaillon to the Louvre: Louis XII’s Bust, a Royal Effigy DismemberedThis paper follows the journey of the 1508 bust of Louis XII by Lorenzo da Muzzano from its dominant position on the façade of the courtyard of the Grant’Maison of the Château de Gaillon to the Louvre, where it is now exhibited. Starting in the French Revolution, the sculpture was repeatedly mutilated and restored, which each time changed its possible interpretation. The aim of this paper is to rediscover the representation of this King of France as a Roman Imperator by understanding his objectives during the Italian wars. The map, part of which was also mutilated and restored over time, is held firmly in his left hand and is testimony to his ambitions for the peninsula and helps us to redefine and better understand them. |
| author |
Evdokimova, Ludmilla |
| spellingShingle |
Evdokimova, Ludmilla Du nouveau sur Eustache Deschamps |
| author_facet |
Evdokimova, Ludmilla |
| author_sort |
Evdokimova, Ludmilla |
| title |
Du nouveau sur Eustache Deschamps |
| title_short |
Du nouveau sur Eustache Deschamps |
| title_full |
Du nouveau sur Eustache Deschamps |
| title_fullStr |
Du nouveau sur Eustache Deschamps |
| title_full_unstemmed |
Du nouveau sur Eustache Deschamps |
| title_sort |
du nouveau sur eustache deschamps |
| publishDate |
2017 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-le-moyen-age-2017-2-page-365?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rma.232.0365 |
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