The cinematic discourse on the Middle Ages (in central Europe and beyond), éd. Jarosław Wenta, Magdalena Kopczyńska, Toruń, Nicolaus Copernicus U.P., 2015 ; 1 vol., 162 p. (Spatia Mediaevalia, 2 [Studies in the Perception of Medieval Culture]). ISBN : 978-83-231-3385-8

Canon Henri ex Palude († 1515) and the Cantorial Baton of Saint-Lambert Cathedral in LiègeIn 1495, Henri ex Palude, the canon and cantor of Saint-Lambert Cathedral in Liège, and a gifted, valued, and influential individual, gave the chapter a new and sumptuous cantorial baton. This cantor’s baton,...

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Päätekijä: Amy de la Bretèque, François
Aineistotyyppi: Article ou chapitre numérique
Kieli:Français
Julkaistu: 2017
Linkit:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RMA_223_0701zqRMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2016-3-page-XLIII?lang=fr https://doi.org/10.3917/rma.223.0701zq The cinematic discourse on the Middle Ages (in central Europe and beyond), éd. Jarosław Wenta, Magdalena Kopczyńska, Toruń, Nicolaus Copernicus U.P., 2015 ; 1 vol., 162 p. (Spatia Mediaevalia, 2 [Studies in the Perception of Medieval Culture]). ISBN : 978-83-231-3385-8 Amy de la Bretèque, François2017 fre Le Moyen Âge | CXXII | 3 | 2017-07-07 | p. XLIII-XLIII | 0027-2841 RMA_22389 Canon Henri ex Palude († 1515) and the Cantorial Baton of Saint-Lambert Cathedral in LiègeIn 1495, Henri ex Palude, the canon and cantor of Saint-Lambert Cathedral in Liège, and a gifted, valued, and influential individual, gave the chapter a new and sumptuous cantorial baton. This cantor’s baton, the badge of a cantor’s liturgical duties, was a long shaft with a jeweled end of complex typology and remained in use until the end of the Ancien Regime. Although the baton has been lost, it is now known to us through a recently discovered heraldic drawing by the Canon of Wissocq, who, himself great-cantor in the seventeenth century, has left us a detailed description of the object. The jeweled end of the cantorial baton in use at Aix-la-Chapelle is preserved in the cathedral treasury. From its era, style, and typology, it is very much like the baton of Liège. By comparing these batons, we can make various hypotheses about their creator and the circumstances in which they were made, which can be linked to certain political events, such as Charles the Bold’s visit to Aix and the reconciliation of the Marck and Hornes lineages in Liège. Combining historical, heraldic, and archeological approaches allows a better understanding of an important and lost object in the patrimony of the Church of Liège.Cairn free access
language Français
format Article ou chapitre numérique
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description Canon Henri ex Palude († 1515) and the Cantorial Baton of Saint-Lambert Cathedral in LiègeIn 1495, Henri ex Palude, the canon and cantor of Saint-Lambert Cathedral in Liège, and a gifted, valued, and influential individual, gave the chapter a new and sumptuous cantorial baton. This cantor’s baton, the badge of a cantor’s liturgical duties, was a long shaft with a jeweled end of complex typology and remained in use until the end of the Ancien Regime. Although the baton has been lost, it is now known to us through a recently discovered heraldic drawing by the Canon of Wissocq, who, himself great-cantor in the seventeenth century, has left us a detailed description of the object. The jeweled end of the cantorial baton in use at Aix-la-Chapelle is preserved in the cathedral treasury. From its era, style, and typology, it is very much like the baton of Liège. By comparing these batons, we can make various hypotheses about their creator and the circumstances in which they were made, which can be linked to certain political events, such as Charles the Bold’s visit to Aix and the reconciliation of the Marck and Hornes lineages in Liège. Combining historical, heraldic, and archeological approaches allows a better understanding of an important and lost object in the patrimony of the Church of Liège.
author Amy de la Bretèque, François
spellingShingle Amy de la Bretèque, François
The cinematic discourse on the Middle Ages (in central Europe and beyond), éd. Jarosław Wenta, Magdalena Kopczyńska, Toruń, Nicolaus Copernicus U.P., 2015 ; 1 vol., 162 p. (Spatia Mediaevalia, 2 [Studies in the Perception of Medieval Culture]). ISBN : 978-83-231-3385-8
author_facet Amy de la Bretèque, François
author_sort Amy de la Bretèque, François
title The cinematic discourse on the Middle Ages (in central Europe and beyond), éd. Jarosław Wenta, Magdalena Kopczyńska, Toruń, Nicolaus Copernicus U.P., 2015 ; 1 vol., 162 p. (Spatia Mediaevalia, 2 [Studies in the Perception of Medieval Culture]). ISBN : 978-83-231-3385-8
title_short The cinematic discourse on the Middle Ages (in central Europe and beyond), éd. Jarosław Wenta, Magdalena Kopczyńska, Toruń, Nicolaus Copernicus U.P., 2015 ; 1 vol., 162 p. (Spatia Mediaevalia, 2 [Studies in the Perception of Medieval Culture]). ISBN : 978-83-231-3385-8
title_full The cinematic discourse on the Middle Ages (in central Europe and beyond), éd. Jarosław Wenta, Magdalena Kopczyńska, Toruń, Nicolaus Copernicus U.P., 2015 ; 1 vol., 162 p. (Spatia Mediaevalia, 2 [Studies in the Perception of Medieval Culture]). ISBN : 978-83-231-3385-8
title_fullStr The cinematic discourse on the Middle Ages (in central Europe and beyond), éd. Jarosław Wenta, Magdalena Kopczyńska, Toruń, Nicolaus Copernicus U.P., 2015 ; 1 vol., 162 p. (Spatia Mediaevalia, 2 [Studies in the Perception of Medieval Culture]). ISBN : 978-83-231-3385-8
title_full_unstemmed The cinematic discourse on the Middle Ages (in central Europe and beyond), éd. Jarosław Wenta, Magdalena Kopczyńska, Toruń, Nicolaus Copernicus U.P., 2015 ; 1 vol., 162 p. (Spatia Mediaevalia, 2 [Studies in the Perception of Medieval Culture]). ISBN : 978-83-231-3385-8
title_sort cinematic discourse on the middle ages (in central europe and beyond), éd. jarosław wenta, magdalena kopczyńska, toruń, nicolaus copernicus u.p., 2015 ; 1 vol., 162 p. (spatia mediaevalia, 2 [studies in the perception of medieval culture]). isbn : 978-83-231-3385-8
publishDate 2017
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